e-mosty December 2018 e-mosty December 2018 | Page 10

combining innovation and experience with signature motifs to produce project-specific solutions:      deck curvature accommodated by modification of the simpler, less-critical infill transverse T-beam panels (which are transversely prestressed to the edge girders). Total design quality – elegance in aesthetics, structural efficiency clarity and economic buildability. This ensures that the most critical structural components, with prestress and stay cable anchorages, are produced with minimal changes to allow for the ease of fabrication and decrease both geometric errors and formwork cost. My signature texturing of the concrete to visually break up the surfaces compliments the bridge’s flowing form and brings interest in the way light plays on the structure, both at night as well as during the day; a vital requirement as all parts of the structure are highly visible and can be closely observed. The unusual ‘S’-shaped plan form is a response to the available land. The constraints of location of piers and tunnels at each end give rise to an alignment which is fluid, moving in 3 dimensions. With an elevation of over 40m from the valley bed below, this gives users an experience unlike any other bridge – excitement visually and in use. Being on a curve, torsion is generated by the geometry which drives the design. This is carried by a simplified deck comprising two edge box girders attached to the towers and interconnected with T beams. Deck torsion is resisted by the combination of the towers and stay system. The deck is of precast, match cast prestressed, segmental-concrete construction. The edge box girders carry the stay anchorages and deck torsion and have longitudinal prestress. The segments are similar to maximise repetition with the extreme The deck stiff for torsion; this also gives rise to good bending performance and hence economises on the number of stays, The decomposition of the deck into edge beams and in-fill panels allow for small precast elements which are easy to handle and erect.  I used twin leaves for each of the three towers to give flexibility in a highly seismic area. The ‘Y’ form is driven by engineering requirements on cable clearances on the ‘S’ shaped deck, minimum deck width and seismic performance and results in a strong aesthetic statement. I paid particular attention to developing tower geometry to make the formwork for the towers highly repetitive with multiple uses; it has simple geometrically varying elements giving economy even with a complex shape. I used an integral deck tower connection to negate the need for bearings or joints in inaccessible locations and to provide stability for safe construction. Figure 4: Elevation of the bridge across the valley 4/2018