Drum Magazine Issue 5 | Page 54

DA505 main 52 26/7/05 7:04 pm Page 52 Drum: ENTERPRISE South African born Sello Maake ka Ncube, played the lead role in Othello at the Royal Shakespeare Company and is soon to be in Who Killed Mr Drum? Djribil Cissé is of Senegalese descent, born in France in 1981. Cissé is a striker for Liverpool and France, and is noted for his speed and his dyed blonde hair. No small part of the Afropolitan consciousness is a rejection of the (colonial) anthropological lens, which casts all African cultural products as ethnographic artifacts. The Hayward Gallery’s current Africa Remix champions a different view: presenting the work of African sculptors, photographers, painters on the basis of creative quality, not historical comment. For British-Nigerian novelist Diran Adebayo, Africa Remix is long overdue. One of the many London luminaries at the exhibition’s opening, Adebayo exulted. Africa Remix places our art not in some musty, ethnographic light but allows for exploration, a sense of surprise: installations, found art, camp imagery, the avant Nigerian born musician, vocalist and lyricist, Keziah Jones moved to Gloucestershire in 1977. Keziah is an underground cult in London and a star in Europe and Japan. garde. One of my biggest frustrations as a Diasporic African is that Africa is rarely seen as ‘cool’. Most of black cool pertains to black America and the Caribbean, and I’m always keen on people and things that place Africa in a cool rather than a ‘worthy’ context.” From writing fiction to beading bags, Afropolitans are (re)defining African Cool. The compulsion is as personal as political. For us, being African must mean something. The media’s portrayals (war, hunger) won’t do. Neither will the New World image of bumbling, blue-black doctor. Most of us grew up aware of ‘being from’ a blighted place, of