Drum Magazine Issue 5 | Page 31

DA505 main 28/7/05 1:14 pm Page 29 Drum: ARTWORKS 29 In The Spirit Dr Augustus Casely-Hayford, Programme Director, Africa 05, explains the reasoning behind this year long cultural celebration. I n 1743 William Ansah, a West African ancestor of mine, stepped off a boat at a Thames dock side and fulfilled a dream of a lifetime: walking on London soil. William Ansah was not exceptional, he was one of tens of thousands of immigrants from all over the world who had come to the most exciting city on earth to trade, to learn, to teach and to be. And he was continuing a tradition of West Africans coming to Britain that had, even then, been established for hundreds of years. But the 18th Century was special. Look at a Hogarth print and you get a sense of a dynamic, chaotic city, brimming with new faces and cosmopolitan confidence. There were at least 5,000 and perhaps as many as 10,000 black men, women and children living in London at the time, similar proportions to today, but there were also people from all over the world – this was the London of Casanova, Benjamin Franklin and Handel. It is completely understandable that to make sense of all of this energy, this chaos, the idea of London being the hub of world ideas, that in that period The British Museum was established as the first universal museum: »