Drum Magazine Issue 5 | Page 104

DA505 main 26/7/05 7:55 pm Page 102 102 Drum: BEATS Album Reviews From recognising the work of a techno visionary, to celebrating the finest in London soul, with Lee Hodkinson. Juan Atkins 20 Years/1985-2005 Eric Benét Hurricane Bebel Gilberto Various Artists Remixed TRESOR/METROPLEX/SONY REPRISE/FRIDAY/WARNER ZIRIGUIBOOM/CRAMMED DISCS Back to the future with a true pioneer. Middle of the road musings which lack the necessary grit An eclectic mix of artists & a beautiful Brazilian voice With all the attention that Missy’s Lose Control! single received recently, this 20-year retrospective of the techno giant is even more relevant. Included are masterpieces like Clear (the bedrock of the aforementioned Missy track), Dreammaker (an early collaboration with Rick Davis which sounds like The Love Below after too much cough syrup) and the snake-like motions of Infiniti’s frightening Skyway (which has me envisioning HR Giger paintings and illegal midnight races through Tokyo in the year 6000). Ignore the cries of “I don’t listen to house/ techno/rave’’ from the uninformed; the musical innovations of Juan and his peers (and their subsequent influence on much of today’s new music) cannot be stressed enough: go ask Timbaland and friends. As to be expected, this album is about love, loss and redemption, topics which will fill you with warmth or nausea depending on your disposition. Be Myself Again is an optimistic ode to starting over, this and the seductive Pretty Baby serve as impressive introductions. However, the majority of songs which follow suffer from being either too sparse or propped up with overdramatic bombast which screams ‘Epic, Grammy-winning power ballad’ very loudly. Whilst there’s no denying Eric’s voice (and determination), apart from the aforementioned tracks and the touching I Wanna Be Loved, Hurricane failed to move me. Brazil’s Bebel Gilberto has a voice you instantly fall in love with. However, remix albums (and there’s an abundance of them these days) are a risky venture. The magical opener, DJ Spinna’s remix of Céu Distante, eased my uncertainty. The shuffling drum beats and gentle synth keys perfectly coexist with her enchanting vocals. Yam Who? supplies more offkilter drums and keys to Baby, letting the vocals float in and out of the arrangement, before an infectious up-tempo rhythm catches you unaware. Praise also goes to Spiritual South for turning Aganju into a hypnotic brokenbeat number. Elsewhere, some remixers veer dangerously close to creating ‘coffee shop music’, but the album has its share of highlights. Highlights: Clear, Dreammaker, Skyway Highlights: Be Myself Again,