Drum Magazine Issue 4 | Page 95

Drum: FICTION really really tired โ€“ of people asking how he was the whole time, of people telling him that they were there for him should he want to talk. Words, he had said to James, are not for things like this. He had said that words are for placing an order at the bar, making a sale, having a laugh or an argument or discussion. Words had stopped working for Peter and in New York โ€“ other than the non - words which accompany everyday transactions โ€“ he spoke to no one. He had told James that there was something peaceful about being amidst but unengaged with other people. Your thoughts, he had said obliquely, are unfiltered. James carefully tilted his head from side to side to check whether the hammer had stopped banging nails into his skull. A dull thud remained. He walked back to Times Square intending to take a subway uptown. He reconsidered when he saw that the entrance to the subway was blocked by tourists each taking it in turn to photograph the others pointing at a stationary police car. Statue Man had packed up leaving his impersonator to entertain a disinterested clump of onlookers. They left, struggling perhaps to make sense of a man pretending to be a man pretending to be a statue. A black guy wearing what appeared to be curtains harangued a passer by about the legacy of slavery and shook a small book in his face. James walked past him in a wide arc. He had a good four hours before his meeting with Peter so he decided on a circuitous route taking in Madison Avenue. Stopping off at Gap he chose some boxers, a pair of jeans and a t-shirt and paid for them without trying them on. He thanked the shop assistant. She told him he was welcome. He went into a Swedish shop and bought a moulded plastic device which had a multiplicity of uses: it could be stacked; you could put (very) small things in it or if you bought the matching plastic spoon it could be used for condiments at table. He bought it together with the matching spoon. ยป 93