Drum Magazine Issue 4 | Page 84

82 Drum: FAITH positively celebrates the diverse identifications of its members. It proudly boasts of (Hazrath) Bilal, a black liberated slave who was the first man to call Muslims to prayer through the azan, a call that still reverberates throughout Islamic countries 5 times a day. Even today, Islam remains predominantly a religion of ‘colour’ with countries such as The Gambia, Algeria, Afghanistan, Iran, Morocco, Mayotte, Pakistan, Qatar, Turkey, and Saudi Arabia boasting populations over 95 per cent Muslim. This connection with colour makes it all the more easy for Islam to retain much of its mystical quality, as well as the sphere of the ‘uncivilised’. “September 11th became the catalyst, allowing Islamophobic tendencies and perspectives public, and arguably justifiable, free reign.” In my quest to understand Islamophobia I have come to the realisation that its almost instantaneous rise post September 11th can be located, to a large extent, in its very ‘blackness’. As a faith that continues to be predominantly associated with people of ‘colour’, Islam has largely been tolerated, particularly following the Rushdie affair. At a policy level, on both the national and local stage, individuals are counselled in the importance of tolerating Islamic practices. The language of toleration took on particular meaning following the reaction of a minority of Muslims to Salman Rushdie’s Satanic Verses. The toleration of Islam is patronising and stems from the underlying belief that it remains the remit of those less civilised. It is such language that further reaffirms the distrust, insecurity and isolation experienced by many Muslims in Britain. Whilst September 11th and the reaction of the British establishment bear some responsibility for the blatancy with which Islamophobia is pervading the