Drum Magazine Issue 4 | Page 51

Drum: IN FOCUS “There were like 9 of us, and most of us were quite young, but we always felt safe because of her courage and how much she held it together.” As a 14 year-old Dinka girl, life in England was initially bewildering, but it turned out to be a key period in the young Alek’s life. After three tries, her mother and two other siblings were also granted asylum, and the Wek family began to re-group. Alek learnt English quickly, and went on to study fashion technology and business at the London College of Fashion, before her ‘big break’, being signed up by Models One. And despite having lived in New York for the past 5 years, she still feels very connected to London. 49 However, she is uncompromising – almost unfashionably so – in her expectation that those who are given the chance that she had should attack it with the same vigour: “If somebody could at least give these people that chance, they could come and be very hardworking citizens, not just sitting on their backsides”, she says forcefully.“I have never been on benefit after leaving my teenage years. I was waking up every morning for 9 months cleaning up at the BBC, I was going to a hairdresser on the weekend, I worked in a supermarket for a little bit. Once you understand that work ethic, you can be really independent, and that is so powerful.” “Alek has brought an uncompromising, undiluted Afro-centric beauty into the world of high fashion. Rich, dark, almost blueblack skin; rounded, cherubic features; short, natural, Afro hair, she has said before,“I look like any other Dinka girl from the Sudan.” “Oh definitely, London is like my second home. London is very special to me: that’s where I really got to spread my wings and become a teenager. At first I felt like ‘Oh God, maybe I’m a little bit different’, but as you grow up you realise – it’s not about messing around and wasting time, it’s really about educating yourself and that’s so powerful…” That’s Alek in a nutshell – the two things that have been intrinsic to her success. The fact that she is a little different – and that relentless, unyielding work ethic. As a former asylum seeker herself, she is forthright in her defence of a system that has given her and thousands like her a chance to build a new life, and is scathing of those who decry it: “That’s why there are such words as ‘refugee’ and ‘refuge’ – because always there’s going to be somewhere where people are not treating civilians right, to a stage where people are losing their lives…” It’s this work ethic that has allowed her to stride to the summit of an industry that – regardless of its pretensions to boundary-pushing and non-conformism – remains overwhelmingly conservative in its notion of ‘beauty’. Alek has brought an uncompromising, undiluted Afro-centric beauty into the world of high fashion. Rich, dark, almost blue-black skin; rounded, cherubic features; short, natural, Afro hair, she has said before,“I look like any other Dinka girl from the Sudan”. We will have to take her at her word on that one, but her ‘any other Dinka girl’ look is one that divided the fashionista from day one. Alek found early success in London, and persuaded her mother to let her fly out to the United States and take her chances on the New York fashion scene. It was the chance to fulfil a dream, but meant that mother and daughter were to be parted again.»