Drum Magazine Issue 4 | Page 28

26 Drum: COVER FEATURE The Modern It’s been a long time coming, but when Outkast’s the world, Richard Linstead discovered that it’s S tanding at the head of what has been dubbed ‘The Gentleman’s Movement’, Dre has made it OK to dress again. He has dubbed his look ‘the gentleman rebel’, and ranks films such as Legends of the Fall and The Great Gatsby as his sartorial inspiration. The inlay sleeve to his half of Outkast’s Speakerboxx / The Love Below album is a manifesto for the gentleman rebel. A vision in tartan, pastels, and tasteful knitwear, Dre kicks the standard ‘thugged out’ hip-hop uniform in its unattractively-baggy crotch. Alongside him, stands former schoolmate, and pioneer of the ‘grown sexy’ look, Farnsworth Bentley (a.k.a. Cascade Cabernet, a.k.a. Cashmere). Not nearly as well known over here, Bentley first leapt to public attention in the States as the umbrella-wielding manservant / personal assistant / motivational coach to Sean ‘Puff ‘P.Diddy’ Daddy’ Combs, a man whose championing of the ‘ghetto fabulous’ look did so much to damage hip-hop fashion, ‘Ghetto fabulous’: was there ever a more needlessly overused and hopelessly oxymoronic expression? Why use five syllables to describe a style of dress that could be quite adequately summed up in two? ‘Gau-dy’.