Drum Magazine Issue 3 | Page 75

Drum: SPORTIVE 7 3 “I remember one day a woman telling me, ‘ You have a special sensitivity to teach.’” Later on, as the media circus came to town, the group split due to personal disagreements and infighting. When the split came, the rest of the group continued and made a film with Luc Besson called Les Samouraï s des Temps Moderns, telling the fictional tale of a group of Robin Hood types who use their Parkour skills to evade capture, while stealing money to fund the healthcare needs of a child injured copying their Parkour training. In reality, two youngsters actually died copying moves from the film. As Foucan recalls, “With no message, nobody to explain it was only a movie, kids can be very impressionable. But we are not Spiderman or Superman. This is why it is so important for me to do documentaries like Jump London because we can explain the discipline and tell people not to try this at home. There is more to Parkour than spectacle.” In practice, there are fewer predefined movements in Parkour than say, gymnastics, martial arts, or other extreme sports. Parkour is about fluid unlimited movement over obstacles, and the ability to improvise is as important as being able to replicate previously practised moves. Despite this, Parkouristes, as they are called, regularly practise many ‘basic’ movements. Foucan cites the importance of good jumping and landing techniques. “It’s like anything,” says Foucan. “Once you practise, you develop step-by-step. After you’ve reached a certain level, you can do something bigger, stronger, it’s normal. But it’s more important how you move than scaling great heights.” For the British public, we first became aware of Parkour on BBC TV’s Rush Hour, featuring David Belle leaping across London’s rooftops from office to home in a bid to catch his favourite TV programme. However, the biggest international surge in interest »