2 ' 00 '' 3 ' 00 ''

Time

3

S .

° f poco a poco dim . al niente

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A . f poco a poco dim . al niente

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

T .

Andante ( q = 1 26 ) mf

˙

U ì ˙ œ ˙ œ ˙ w ì ì ?

Nun mf laßt uns geh ' n und tre - ten

˙

U ì ˙ œ ˙ œ ˙ w ì

B .

Tbn .

Db .

¢

Nun mf

Nun laßt uns geh ' n und tre - ten

laßt uns geh ' n und tre - ten

°

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ f

f ì ?

U ˙ ì ˙ œ ˙ œ ˙ w

always a bit more in the background while the semi-choir sings

always a bit more in the background while the semi-choir sings

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

ì

Org .

¢ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Vln . 1

Vln . 2

Vla .

Vc .

°

2 ì í™

&

ì 2 í™ &

2 ì B í™

2

¢ ì ? í™ œ œ œ œœ poco a poco dim . al niente

( example ) U œ Œ ™ î ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Improvise long and sustained 3 note motifs with the given pitches . Follow the dynamics of the choir , trombone & double bass .

( example ) U ™ î poco a poco dim . al niente

Œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œœ œ œ œ

Improvise long and sustained 3 note motifs with the given pitches . Follow the dynamics of the choir , trombone & double bass .

( example ) U ™ î poco a poco dim . al niente œ œ œ œ œ Œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Improvise long and sustained 3 note motifs with the given pitches . Follow the dynamics of the choir , trombone & double bass .

( example ) U ™ î poco a poco dim . al niente œ œ œ œ œ Œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Improvise long and sustained 3 note motifs with the given pitches . Follow the dynamics of the choir , trombone & double bass .