DJ Mag Australia 001 - February 2014 | Page 86

DRUM & BASS REVIEWS WHISKY KICKS [email protected] burns the imagery of a shower of rockets loudly illuminating the backdrop of a black night sky. Behind the overwhelming screams roars a beastly pulsating throb of continuous sound, leaving only a subtle tinge of the track it once was. Mediks By A Thread (Hybrid Minds Remix) AudioPorn Records 8.5 Hidden Element & Liquid Break feat Kiyomi I See The Light Burelom 9.0 If there’s one part of the universe that understands drum & bass like its British creators and guardians, it’s Russia. From St Petersburg comes a new label. Their first release certainly sets an unorthodox, exceptionally high precedent. Tumbling breaks pay homage to the Amen-dominated days, while a poltergeist-frosted vocal soars angelically over the rough and rugged backdrop. This stunning track is a soul searcher and will cause as much devastation to the dancefloor as it will enlightenment through your headphones. Drumsound & Bassline Smith Nicaragua Technique Recordings 8.5 While waiting for their telegram Drumsound & Bassline Smith celebrate their turn of the century by releasing Tech 100, 'Nicaragua'. Plucking elements from their experience of the scene since the '90s, the track is a mix of underground and mainstream, which blends nicely to create a metaphor to symbolise their own personal journey to today's position in the scene. The entire EP needs to be listened to, but finale track 'Neighbourhood' is something quite special. 086 djmag.com.au Frankee Harlequin VIP Ram 8.5 What a 12 months Ram have had. Another year passes, packed full of successes, and to celebrate this they have released their 2013 annual, which of course includes everyone's favourite colourful character Frankee and the exclusive VIP of his track 'Harlequin'. As we've come to expect from the boy wonder, we have a mix of infectiously catchy drum patterns and a dark pounding bassline, with seemingly effortless excellence. June Miller Empa thy Ram 8.0 Few artists have such an explosive effect on the scene so quickly, but since signing to the mighty Ram little over a year ago, Anglo/ Dutch outfit June Miller have gained complete recognition, bringing us to the second offering from the label in this month's reviews. This stunning vocal track has thundered in the sets of boss Andy C since the summer, and is finally out for release. Big bass, monstrous drops and perfect production. Loadstar Eat My Tears (Rene LeVice Remix) Ram 9.0 Following suit, every good debut album deserves a remix album, and Loadstar's 'Future Perfect (Remix)' delivers some tasty cuts. Label mate Rene LaVice lights the long wick of 'Eat My Tears' and sets the track on fire. This screeching monster of a tune Like a satisfying soup on an icy winter's day, this is a drop of heart-warming liquid that will surely thaw even lovers of the darkest, coldest drum & bass. Calming, sweet and emotional vocals stitch the track together with gently plucked strings providing the core melody. Crashing cymbals and a graceful drum pattern implement the percussion. Both Mediks and Hybrid Minds are turning the heads of the scene's most influential tastemakers, so this is not an EP to be missed. Mindstate Vibes QUICKIES D-Region & Code feat Adria Kain Fly Away Emotif 7.0 Despite the predictability of this track, from the lyrical content to the choice of pads and patterns, this little dancefloor number isn't too terrible. It serves its purpose well and unashamedly, and although not generally to the taste of the more seasonal club attendee, it should satisfy the palate of the fresher meat. Ed:it Sound Killer SHG:LTD 9.0 voiced warning of the 'Sound Killer'. This hugely layered track draws influences from seemingly every possible direction. Dub-style vox, wailing monks, crashing thunderous drums, techy metallic samples, you name it, it's here. Matt & Kendo Booster Dubbed 5.5 Fresher floorfiller bass, best used for a string of clubs named after a pair of big jungle cats or huge aquatic regions. In saying that, the bassline is thumping, but the synths used are just too hands-in-the-air. It prowls powerfully before quickly pouncing with an almighty drop, signaled by the deep- QUICKIES Fisso & Spark feat BBK Earthquake (Drumattic Twins Remix) Ground Level 7.5 The Drumattics take the straight-up, noisy, wobbly breakbeat original and turn it into an electronic disco-funk piece that’s got way more funk. Krafty Kuts Could You Be Krafty Madd-Inc vs Sax3 FreQ Nasty feat Spoonface Why? (Mr Bill Remix) High Chai 7.5 The FreQ lets Mr Bill loose on his drum & trap-step original, leading to a jerky glitch-garage reworking that somebody like Si Begg might have come up with. B-Side feat Kymberley Kennedy free download Dope Rider (General Narco Remix) A Krafty bootleg of the Robert Nesta Marley singalong classic, with added beefed-up beats and an MC filling in a few gaps in-between. Krafty always makes an unexpected bootleg work. Ghetto Funk 7.5 8.5 The ghetto funk original is spiced up by General Narco, who orders plenty of hyper-kinetic beats and sends a bad-ass b-line out to battle with the feelgood vocals of Kymberley Kennedy. This General is set to be a major force in beats, bass and breaks. Liondub International 8.0 The jump-up crew love a rough and dirty feel, something to summon the skank and warrant a war face. With its drilling sub, ragga vox and utter bombardment of dub sirens, 'Vibes' certainly delivers the goods. Dark in atmosphere, this track will have no issues tearing down the dirtiest dances; however, its drum pattern, paired with the dub elements, take this track to the more accessible level of ravers outside of the jump-up arena. NFM & HLZ Rota Horizons 8.5 With previous releases on Headz, Playaz and Shogun to name the bare minimum, NFM & HLZ really need no introduction. Horizons are now the latest label to be added to that list. The sound of 'Rota' is classic and clean and precise to the point of medical obsession, with an air of malice which ominously lingers like a reaper over a bed, before snatching its prey, dropping into the descending helter-skelter of bass. BREAKBEAT/BASS MUSIC REVIEWS CARL LOBEN, [email protected] The Dubkinetik EP feat Papa Levi & Daddy Colonel Sub Slayers 9.0 “The first track taken from our ‘TECH100 EP’. The narrator’s epic introduction heightens the excitement here and all builds for a blazing drop.” 02. FRICTION & METRIK ‘Legacy’ Hospital “Lush nostalgic chords set the tone perfectly, then escalate into a euphoric roller.” 03. LYNX  ‘Take Back The Night’ Ram “His debut single on Ram does not disappoint. Funky intro, topped with a beautiful vocal, leads to a naughty ‘trademark Lynx’ drop... big tune!” “Very proud to have this on Sub Slayers, Jane Fraser and Class A on vocals.” 02. PYRAMID   ‘Leads To Nothing’  Funkatech “Typical huge Pyramid production, sounds huge in a club.” 04. DRUMSOUND & BASSLINE SMITH ‘Breakin’ Badboy’ Technique 03. SCHEMA FEAT CHESHIRE CAT  ‘Fumin’  Sub Slayers 05. HAZARD  ‘Mark Q’ Playaz 04. JACKAL   ‘Shake Down (Je Boogie Edit)’  IBWT free download “Another ‘TECH100’ track. The intense build-up always seems to capture the imagination here. Just how Heisenberg likes it.” “Been around for a little while now, but it’s another killer from the man like Hazard. As expected, pure vibes and essential selection.” 06. TAXMAN FEAT DIANE CHARLEMAGNE ‘Rebirth’ Playaz “Sampler taken from his forthcoming album ‘No More Anthems’. Taxman showing another side artistically here, and boy is he on top form. Stunning vocals from Diane Charlemagne too.” 07.  DRUMSOUND & BASSLINE SMITH ‘Can You Feel It VIP’ Technique “We’ve reworked one of our classics, given it some 2014 love and the response has been incredible.” 08. DIMENSION  ‘Crowd Reaction’ Cyantific “A young producer who’s been simmering for some time now, and 2014 could just be his year.” 09. DRUMSOUND & BASSLINE SMITH ‘Serious Business’ Technique “It’s a back to your roots, jungle homage here. This is not for the faint-hearted.” 10. THE PROTOTYPES  ‘Pale Blue Dot’ Viper “Arguably the hottest producers in drum & bass right now.” “Really feeling this, big Cheshire Cat fan and Schema have taken good care of him.” “Squeaky little number.” 05. MADD-INC FEAT SAX3  ‘Dubkinetik’  Sub Slayers “Great jiggy reggae vibes to get the gyal dem movin’.” 06. SLYDE FEAT MAKIIN  ‘I Cant Help It (Deekline & Laidback Remix)’  Rat Records “Solid Deekline track, love the space in this one and the top line is a killer.” 07.  VINYL JUNKIE & SANXION  ‘Wages of Sin’  Sub Slayers “Dutty — simples.” 08. DJ FIX  ‘Dollar Bills’  Illeven Eleven “Kinda Miami vibe on this one but super solid, very warm and pleasing.” 09. BREAKING NEWS FEAT ALASKA MC  ‘Freeze (Se7en Deadly Breaks Remix)’  IBWT “Always gotta rep the Se7en Deadly Breaks, going from strength to strength.” 10. SCRUFFIZER   ‘Kick It’  Black Butter “Both mixes of this are sick, little slice of Black Butter goodness.” Those dastardly RadioKillaz start ‘All Massive’ with some skanking breakbeat riddims, echo, delay and natty ragga vox. A deep burrowing bassline soon joins the fray before fizzy electro synths glide it into the first drop. Scything tear-out bass and blistering beats then transport the dubwise sensibility into a full-on hardcore assault that can’t fail to nice up any dance. ‘Don’t Wanna 9-5’ on the flip has a Rasta vox expunging the joys of unconventional working over flicked drumstep beats, with mournful horns adding to the outlaw feel. Wicked and bad. 7.5 Rebel Sketchy has been feeding breakbeat tracks into the scene for a good few years now, yet with his ‘Goodbye Gravity’ album he’s cast his net a bit wider. ‘So It Goes’ calls on Californian rapper Bukue One to rhyme over a bass music bed, with vocalist Agne Motie purring sweet sonnets in-between. It’s quite commercial, radio-friendly and poppy, yet will still pick up early doors club play. The Bert On Beats remix tickles with a tropical underbelly, while Kwerk turns it into more of a straight-up electroid breakbeat banger. 7.5 01. ED209   ‘Electric Friends (Remix)’  Sub Slayers 9.0 Ground Level Top Drawer Digital ED209 SUB SLAYERS Rkz Recordings So It Goes feat Bukue One & Agne Motie In the Dark EP 01. DRUMSOUND & BASSLINE SMITH ‘Nicaragua’ Technique All Massive/ Don’t Wanna 9-5 Rebel Sketchy Lucas DRUMSOUND & BASSLINE SMITH TECHNIQUE RadioKillaz Hardcore legend Lennie De Ice and Kool FM’s Madd-Inc come together with a couple of vintage ragga chatterers — Papa Levi and Daddy Colonel — for a dubwise juddering growly bashy original that contains all the elements to make it ripe for some Sub Slayers mainstays to overhaul. Liondub turns it 175bpm jump-up jungle, while King Yoof takes it into the realms of 140bpm future jungle with his trademark steely beats and reggae stylings. Leading d&b figure DJ Rap, no less, turns in a slightly out-of-sorts electro-dubstep revamp, and MaddInc himself ruffs it up into deebee too. Killah! The title track on the Top Drawer Digital label bossman Lucas’s new EP is dark dynamic neurofunk, kinda like a Photek album track battling it out in a cave with cartoon demons. ‘Sweeney Todd’ features a sinister spoken word vocal sample, which could actually be a demon barber whispering in your ear as you sit in an electric chair that vibrates to a vintage Depth Charge piece. Finally, ‘Scared’ is gnarly breakbeat that could function equally at a late-night free party or in some of the more grimey clubs. Freestylers feat Laura Steel Falling Rub-A-Duck 8.5 An artcore tropical breakbeat intro to ‘Falling’ is soon augmented by some lush Laura Steel vox, and then the gently menacing wobbly bassline enters the fray — lurking like a Predator behind a tree. This original is very simply constructed — but sometimes simplicity is just what the doctor ordered. The Stanton Warriors carve out cavemen beats for the intro of their overhaul, giving the vocal space to breathe before dropping down into a rolling, trap-inspired disco-funk cut that features ‘Good Vibrations’ yelps and pared-down block-banging. Wickaman supplies the d&b version. Dutty Moonshine Rauchestra Vol 2 Rocstar 8.0 Feelgood party ghetto-funk cut ‘No Doubt’ featuring Jimi Needles kicks off this collaborative EP from the Dutty duo of Michael Rack and Alex Furley. It’s followed by ‘Real Thing’ featuring Captain Flatcap, which is bona fide electro swing with flutes and everything — and this page loves a bit of electro swing sometimes. Rocstar bossman Cut La Roc guests on ‘Keep the Crowd Hype’, a funloving breakbeat-funker with a neat b-line and Beiderbecke horns in the background. Rico Tubbs The Return Bass=Win 5.5 This is indeed the return of Rico Tubbs, although put alongside his bass music classic ‘Gangsters’, it does seem to be going through the motions a tad. The template is the same and the constituent parts — wobbly bass, hype slippy-slidey garage beats, arcade game noises etc — are all present and correct, but it doesn’t quite gel. Schema Fumin’ feat Cheshire Cat Sub Slayers 9.0 These Jersey boys sure have been quiet for a couple of years, but return here with a rolling minimalistic steppa that calls on legendary rapper Cheshire Cat (Leftfield) to deliver some on-point irie conscious rhymes. The stripped-down nature of the original is quite a surprise, but the remixes up the ante in various ways. Sub Slayers mainstay Toronto Is Broken turns it freewheelin’ drum & bass, while Gella excels with a burbling bashy bagatelle drumstep piece. Jinx In Dub starts in dub before building it into a raw polyrhythmic junglist slab, and Atomic Drop turn it anthemic dubstep. NAPT & Roska Roar/Mr Oscar Fool’s Gold 9.0 So this is what Roska has been up to, collabing with the NAPT boys Tomek and Ash — with pretty wicked results, t oo. ‘Roar’ intros with a pretty neat build-up, pivoted around sparse rolling beats and a pressure-cooker siren wail. After the first drop, the hype bashy beats and “Hup” yelps are joined by cowbell — gotta have more cowbell! — and then clanging old hardcore keys. Impossible to genre categorise, ‘Roar’ would make Katy Perry shrivel up behind a bush. ‘Mr Oscar’ is a pared-down percussive feast, part-funky bashy bass and partclanging deep tech house. djmag.com.au 087