Dissent newsletter volume 2 | Page 6

2 1 Alia Bhatt is a 21-year-old Bollywood actress, who with just three movies released so far, has taken the Indian film industry by storm. She is growing exponentially as an actor with every movie that she stars in, and has thus built a reputation as the ‘next big thing’ in Bollywood. However, there seem to be some discrepancies in her maturity on screen when she is in character, and off screen when she is plain old Alia Bhatt. Maybe it’s a Public Relations exercise in building her image as the young, vivacious yet innocent, rich ‘dumb-blonde’. Maybe she, albeit being a talented actress, is not as well versed in, well, general knowledge. The progression of Alia’s career so far sees a move from a role that portrays her as a rich, spoilt brat who does not care about much other than herself and her clothes, as Shanaya in ‘Student of the Year’, to a strong, independent, career-orientated young woman, as Ananya in ‘2 States’. ‘Student of the Year’ directed by the infamous Karan Johar, is the typical big budget Bollywood movie with the entourage of a star-studded cast, over-the-top costumes and exotic locations. The story of a girl who is in a relationship with one person while having feelings for another, that leads to the men battling it out for the exclusive right of being Shanaya’s man is a recipe for commercial success. Alia’s character is an epitome of all that glitters and is expensive. Everything she walks in or sets foot on has a designer label attached to it. There is very little depth of character, save the constant chant of wanting to be loved. Her decision to debut with this film put her in the lime light, as these ‘masala’ (spicy) films are the ones that attract the highest number of viewers in India and in Bollywood markets elsewhere. Alia’s role in Highway, directed by the more non-conformist director Imtiaz Ali, reveals a whole new side of her acting capability. This is the story of the daughter of a rich, influential man, who is kidnapped days before her wedding. In the process of hiding her from the police, her kidnapper transports her across India and Alia’s character develops Stockholm syndrome. Set against the stunning backdrop of India, as Bollywood has never shown it before, Alia’s character Alia Bhatt; Bollywood diva or gifted artist? By Jumana Abuwala goes from being sympathetic towards her captor to falling in love with him. Post the film’s release, the director revealed that much of the scenes were impromptu, the actors essentially reacted to a basic idea of the plot, inspired by a road-trip across India. Perhaps thus the movie is the most apt portrayal of Alia’s gift of expression. At the climax of the film, her revelations about childhood sexual abuse at the hands of a family friend, her description of trauma and the anger towards her family’s demand to keep quiet are painfully beautiful, in an aching monologue she lays herself bare and stuns the audience. As critic Anupama Chopra describes Alia’s performance for The Hindustan Times, “It’s deeply moving. Her honesty and courage, both as actor and character, is exhilarating.” The film is loaded with high points that make her performance unforgettable. She immerses herself in the role and makes the audience smile with her in times of joy and weep with her when her hidden distresses are disclosed. This performance set the bar for her most recent role in ‘2 States’ and she does not disappoint. Her role as a Tamil IIM student who falls in love with a fellow Punjabi classmate and experiences the plight of maintaining a relationship in the face of ethnic bias, a problem that many young Indians, and South East Asians face. The process of winning her in-laws over while never forgetting her identity as a strong woman, never sacrificing her principles for the sake of a man, her character is an inspiration for modern Indians and a refreshing change given the patriarchal nature of Indian society, and cinema. “She immerses herself in the role and makes the audience smile with her in times of joy and weep with her when her hidden distresses are disclosed” ‘Highway’ theatrical poster