Design Buy Build Issue 39 2019 | Page 9

The scheme revolves around these desirable views seen from the site over the harbour, principally informing the concept of upside-down living. From above, a curious beam of light falls onto the concrete walls through the timber stair void, the angle of the light rotating throughout the day. Grounding the project, the concrete base breaks down into three blocks with smaller openings for privacy in the bedrooms, with the dimly lit passages between drawing the eye towards key aspects. The concrete base acts as a plinth to elevate a carefully sculpted timber form, its materiality delicately contrasting the concrete with its soft, natural feel, that will weather and age with the tree lined setting. The volume cranks to open up the living space to views over the Bosham estuary, creating an active silhouette seen from the water. Much like a defensive sea wall, the concrete creates a sense of protection from the elements. The tone, texture and tactility of the material draws inspiration from the nearby Holy Trinity Church, known for the speculated burial of the last Anglo- Saxon King, Harold Godwinson. Skylights are also introduced into the deep living space flooding the timber volume with natural light, whilst smaller apertures are maintained in the master-ensuite for picture-perfect views. 9