Design April/May 2015 Vol 3 | Page 57

57 Mixing hard and soft textures prevents a room from either having a tiny echo or sounding too “dead”. Very shiny and glossy textures throw light back into a room, while matt ones absorb light. In theory, the way to move forward when planning your textural concept is to have an understanding of the layering of texture philosophy. A good example to use can be when you are planning a bathroom. Think about the following: You can start with a glossy or shiny tile for the floors and half of the walls. To the top of the tiles on the wall, you can add a wooden strip or a dado rail. Still higher up, you can paint the remainder of the walls in a sheen and for the ceiling, choose a matt PVA paint. This then means that it makes sense that when you choose a shiny texture or fabric for your curtains and plan to put a couch in front of the window, you should not choose a shiny fabric for your couch as well as you will find that the textures will start fighting for recognition. Rather choose a matt texture for your couch but know that you can reintroduce a shiny texture or fabric for your scatter cushions. The aim is to achieve contrasts rather than clashes. It is also highly advisable not to pick the more extreme and unusual textures for example marble and coir, until you feel confident to use them together. It is also inadvisable to use too many whimsical textures in one space unless you are aiming for a very eccentric look. Do not be too timid, though, as rooms composed of similar textures have no life and will be just as unpleasant to live in as those that are overstimulating. All of the best till the next edition when I will bring you more information around this interesting subject of décor and design. desIgn Namibia October - December 2013