Currents Spring 2020 (Vol. 36, No. 1) | Page 16

“[I]f we revert to history, we shall find t themselves have neither been the most be Mary Wollstonecraft, Mother of Rebels As we celebrate a century of voting rights for Amer- ican women, there’s a natural inclination to reflect on the women who got this particular ball rolling: Lucretia Mott and Elizabeth Cady Stanton, of the Seneca Falls Convention of 1848, come first to mind. But the first-wave feminists had a revered role mod- el of their own in Mary Wollstonecraft, a British au- thor of the revolutionary A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects; Susan B. Anthony even serialized the book in her suffrage newspaper and hung Wollstonecraft’s por- trait on her wall. Published in 1792 to some acclaim and much outrage, this brilliant, highly-influential work is as relevant today as it ever was – which is both a testament to Wollstonecraft’s enduring vi- sion, and an indictment of how far we still have to go to realize it. While Vindication covers many points, its central thesis was that humanity’s greatest gift is the abil- ity to reason, and that women possess it as fully as men do. All women lacked was education. Educa- tion reform was, therefore, Wollstonecraft’s rallying cry, which put her book in competition with some other popular proposals on the subject. She took special aim at these, none of which called for female equality, and which she was certain would increase female servitude and misery. I attribute [these problems] to a false system of education, gathered from the books written on this subject by men, who, considering females rather as women than human creatures, have been more anxious to make them alluring mistresses than affectionate wives and rational mothers. A Vindication of the Rights of Woman came on the heels of another work, A Vindication of the Rights of Men, which Wollstonecraft published in 1790. The first work was a furious rebuttal to Edmund Burke’s Reflections on the French Revolution; Burke felt that in- 16 Special Theme: The Good Fight herited positions and wealth were the backbone of a strong society. After arguing elo- quently that religious and civil liberties were, in fact, men’s birthright, Wollstone- craft produced her second Vindication to add women to her thesis. I do not wish them [women] to have power over men; but over themselves. She also took the thesis fur- ther. These were more than rights, she argued: they were duties. Raising girls to be mindless playthings would result in a morally bankrupt society, devoted only to materialism and social posturing. A society based upon reason and justice would have to begin at home, in the struc- ture of the family, and that would entail a profound change in the relationship between men and wom- en. Only a sound upbringing of both the sexes could secure that. Vindication was popular within liberal intellectual circles, but otherwise its reception was, not sur- prisingly, very negative. After her death, her well- meaning husband attempted to redeem her image by publishing a memoir that only made matters worse. She became known primarily as the radical who bore an illegitimate child, and when that child grew up and committed suicide, Wollstonecraft’s attackers blamed her ideals for poisoning the girl’s mind. When her second daughter, Mary, whom she died giving birth to, grew up to elope with Percy Shelley and write the dark and horrifying Franken- stein, Wollstonecraft’s ideals were again blamed for creating (almost literally!) a monster. by Mason Jane M . .