Currents Fall 2020 Vol 36, No. III | Page 37

Film Reviews Autumn 2020 BY THE FILM GROUP Ooops! The Adventure Continues (Ooops! 2–Land in Sicht) **** Germany/Ireland/Luxembourg 2020 Opening September 24, 2020 Directed by: Toby Genkel, Sean McCormack Writing credits: Richie Conroy, Mark Hodkinson Principal actors: German voices: Christian Ulmen, Janin Ullman, Tim Mälzer In 2015 the animated film Ooops! Noah is Gone (Die Arche ist Weg) entertained us with a story about animals boarding Noah’s ark in order to escape the flood. Leonard the lion was the boss with the difficult responsibility of controlling all of the animals, some of which were “unusual.” We met Dave and his son Finny, both Nestrians: brightly colored animals with an elephant’s trunk and large ears and the ability to blow blue gas. Hazel and her daughter Leah were Grymps and looked like a cross between a cat and a raccoon. Now they are back, still on the ark, where Dave is the ship’s cook; his specialty is a gooey green sauce. However, food is running low. They send out the seagull to search for land. In the meantime, other problems arise. The children Finny and Leah are washed overboard; they set off on a self-made raft, hoping to make their way back to the ark. Along the way, they pick up a new friend: a jellyfish named–you guessed it–Jelly. Meanwhile, the parents realize that the kids are missing. The search takes them on adventures where they discover an island and a colony of hundreds of Nestrians who, having rejected the idea of boarding an ark, live independently underwater in a “fantasy colony.” Now the big threat is no longer a flood, but fire, a volcano. This sequel to the original Oops! continues to entertain with imaginative animation of all sorts of animals in wonderful color, some looking like your favorite stuffed toy. Once again, Finny and Leah must learn to act “adult,” to take responsibility; family ties are priceless. Also importantly, no matter one’s provenance: one must cooperate for the well-being of the group. A fun film for anyone five years or older. (Becky Tan) Persian Lessons (Persischstunden) * Russian/Germany/Belarus 2020 Opening September 24, 2020 Directed by: Vadim Perelman Writing credits: Ilja Zofin Principal actors: Nahuel Pérez Biscayart, Lars Eidinger, Jonas Nay, Leonie Benesch, Alexander Beyer In 1942, a young Belgian named Gilles (Nahuel Pérez Biscayart) is rounded up with other Jewish prisoners by the SS and driven to an empty area in the forest. They are split into groups and gunned down, but Gilles manages to escape the bullets and in desperation claims that he is not Jewish but, rather, Persian. As it happens, the officer in charge of the kitchens at the local concentration camp is looking for a Persian to teach him the language. In order to survive, Gilles must invent and memorize an entire language and somehow teach it to this officer. Tension mounts as the difficulty of the task increases and Gilles is faced with the morality of what he must do to survive. With a quick pace and talented cast, Persian Lessons presents a slick façade which is easy to market and consume. However, even a moment’s reflection reveals that there is something off-putting about this new entry into the genre of Holocaust media. The circumstances feel too contrived, the images of suffering too blatantly manipulative, the message too cookiecutter. The Holocaust is one of the worst events of human suffering in modern times, and films such as this one do little to either further our understanding of the tragedy or express much artistically; they are simply made to cash in on the odd fascination that people have with tragic events. With some more introspection and character development perhaps Persian Lessons could have been something more than the clichéd and calculated film it turned out to be. Unfortunately, the result was a film with promise that never reached its potential. (Rose Finlay) www.awchamburg.org 37