CULTUREGO MAGAZINE APRIL- JUNE 2018 | Page 5

E D I TO R I A L Make a kite. The air is dry, dust speckles everywhere, the grass not as green, slowly losing its verdure: yet it’s the ideal time to be outside. Skies are blue - pantone SKY blue, careless clouds, high winds: the perfect time to fly kites. A few weeks ago - I had the real pleasure of seeing a huge, handmade kite in action. It was not the best of circumstances, actually we were heading to a funeral all the way east, in Sangre Grande. Now, as heavy as the atmosphere and my heart were - what a sight…it was just spectacular. The scene: two guys early 20’s - no more - 11am, “coasting” down the village road, with their creation, their pride: a massive, Royal blue, “mad bull” kite. “So simple...” I’m sure you’re thinking, and yes it was: simple, octagon shaped, carefully lined with that recognizable cream coloured masking tape and beige cord. But beyond that, simple, honest. I thought to myself: This is exactly what any creative project, any artistic endeavour is. A Kite. An idea turned reality. Having an idea is: imagining and re-imagining what this object - your creation - could be, following the steps, spending hours carefully planning, trying it out… Then, when you are convinced that you finally have everything worked out: the doubts. Doubting “Do I really need to use my energy on this kite, when I can purchase one, ready made? From one of the vendors around the Botanical Gardens or downtown perhaps?” Except that: pre-fab kites are made somewhere in China, all robotically lined up, they all look the same. There is no distinguishing trait, no newness, no difference. Then the crescendo: “What if? what if this kite just won’t fly?” I’ve often had to remind myself of something I read a while back on taking risks, pursuing passion etc. That quote was: “No risk, No reward” and the truth IS, even if this kite refuses to fly, you would always have had a 50% chance that it could fly. Your kite is a risk. And it is only those who dare to try, dare to create, who take that risk. It’s a risk of being misunderstood by the jaded has- beens, ignored by the creative heathens, playing for a concert audience of 10 instead of 80, a risk of navigating high winds on your own as a “struggling artist” yet always, finding a way to mend your kite - and taking it to fly again. At the end, the creative, the artist has something to show. The physical manifestation of an idea, of a dream: is now a reality. And maybe that is enough. Maybe it is enough to keep on creating, re-imagining ourselves, our spaces, re-inventing our Caribbean identities, experimenting, being unapologetically avant-garde, saying “Yes” to Change - because it is an Art - and to continue hoping...for hope and resilience allow Black Panthers to be reborn... Experimentation is the energy behind spaces, institutions and Corporations who dare to offer and to support engaging content and projects. These are the risk-takers who propose a future that is bright. How about starting that next creative project, bringing that “impossible” idea to life? It is Kite season and Poui trees are in full bloom. Sit down, put pen to paper. Make a Kite. Welcome to Issue 2 of Culturego magazine, fly high. Adeline Gregoire Editor CULTUREGO M AGA Z I N E APR - JUN | 2018 5