Colossium Magazine September Issue_2019 | Page 51

“Commissioner” city – it was tough. I grew up with a single mother and my brother. I like to say that music saved my life. I don’t know where or what I would have been without music. It was a different era back then but we managed to stay alive and away from things that will otherwise jeopardize our lives. God has been a factor for our survival. CLS: You have produced some back – to – back Grammy awarding winning albums, how did that happen? CG: I think it’s a combination of things. But I will like to think that it’s through the grace of God. My journey led me to meet really special people. These were very talented people. I met KRS-One and through him I met Wyclef Jean and through Wyclef I met Lauryn – through Lauryn I met the Marleys and a host of other great people, you know what I mean? Being fortunate to be around talented people brings out the best in you and everyone associated to a particular project. CLS: What sort of person was Lauryn Hill, working with her back then? CG: Unbelievable! She’s the sort of person who had ideas flying out of her constantly. CLS: Was she your favourite artiste? CG: I wouldn’t say she’s my favourite because each 51 | Colossium . September 2019 person I’ve worked with had something special about him or her. They’re all favourites for different things. CLS: At what point in your career did you feel like you were in the wrong space? CG: Listen, I quit music 3 times. But each time I walk out, I find myself back in again. Each time I fall it’s more than the first one because the input was more than the previous one. Each time I fell and got hurt from falling, I learn something valuable. I think there’s a point where you have to be realistic so you avoid going in circles. I couldn’t get the height without taking the hit; I had to be able to handle both. The same thing goes for you, the more your challenge is going to be there the bigger your reward – like Bob said “the harder the battle the sweeter the victory”. CLS: Did you ever work with Bob Marley? CG: No, I missed that. I was too young. He was gone by the time I started doing music. But working with Stephen felt like working with Bob Marley. CLS: I have always thought he holds his father’s mantle. CG: Who Stephen? CLS: Yes. CG: The ‘wickedest man’. I’m giving you an exclusive. “I like Shatta Wale too. Fela was like James Brown and Sarkodie can flow.”