Colossium Magazine March Issue_2020 | Page 53

but I’m not stupid. I may be full of myself but I’m not stupid. He’s a new school rapper. Listen, I’m the Godfather. I tell them this all the time “for you to beat my record as far as what I’ve done is concerned, you must create a genre of music, have a whole nation follow that and when you’re in your 50s; you have to be relevant. That’s when you can beat me”. None of them is close; some of them are already retiring. My track record is tough to beat. I’m past my 50s but I’m in the ring with your biggest. I’m proud of things like these. I’m not just proud because I think I’m the best emcee, I’m proud because I stayed alive and took care of myself. CM: How do you feel when you’re being recognized for your achievements? RR: My humility always comes in the way as far as this topic is concerned. I’m humble by default; I mean it’s so bad it comes in the way of progress sometimes. Fame is nothing new to me. My father was a legendary fashion designer. I won a couple of awards in martial arts growing up. I’m very comfortable with who I am. To answer your question, I do respect the acknowledgement but I’m so humble you wouldn’t even smell it. CM: Would you attribute your success and achievements to your humility? RR: Certainly. God even speaks of humility and I think people gravitate towards me because of that. In saying all these I’m grateful to the talent God has blessed me with. CM: Would you also say your father’s status in society at the time influenced your career? RR: Of course but in a different way. 53 | Colossium . March 2020 Anytime they say that, it’s a falla- cy. If you ask them when they first heard the two words ‘Hiplife’, they go silent. It is true Mahony P was rapping but he didn’t call it ‘Maho- nyPlife’. Some- one puts meat in between two breads and calls it a burg- er whiles another person calls it sandwich. My father was a wise man. Not the typical Ghanaian – not well educated you will say but I had two mothers from two separate backgrounds so essentially I grew up in a not so typical Ghanaian home. I had an amazing freedom during my boy days. My father will encourage me to do whatever I want. If I want to do martial arts, he was there for me; he was in fact the one who flew me down here. Yeah, I was blessed in that sense. CM: Let’s go back to the beginning. Did you envision yourself starting a new movement when you began? RR: At all. Back then I was part of the PLZ group; which was like a Hip Hop group. When I returned in 1994, I decided to use my Pan-African sense to do something different by mixing the Twi with English. I had my Pan- African spirit from my father. He was a strong Nkrumahist. In fact he was sponsored by the Nkrumah government to study abroad. When I came, Ghana was totally different; mind you I have been rapping for years. I came back with my partner Freddy Funk and never wanted to return back to the states. I linked up with the likes of Zabb Mallet; it’s important to note that my father sponsored and co-signed everything. He was the one that suggested we don’t call it Hip Hop. CM: So at the time all these were going on, to you it was Hip Hop? RR: Here’s the thing, there cannot be Hiplife without Hip Hop. It’s rap at the end of the day. Hip Hop is the mother and Hiplife is the branch. Hip Hop comes from Africa at the end of the day.