Colossium Magazine March Issue_2019 | Page 35

CLS: What projects are you cur- rently working on? Which project is going to come first in the com- ing days? JJB: I just started working on my second EP. Hopefully it will be ready by April. I am taking my time to pay attention to details. Working with talented producers and artists. More information will come in due course. CLS: How did it all start for you? How did you discover your talent and passion? JJB: It all started with freestyle and football commentary sessions in our living room when I was 8 years old. I also grew up in South Africa and the creative session we had triggered it too. It begun to take shape when I went to Chan- cellor College where I studied Bachelor of Arts in Humanities. When I was graduating I knew this was it for me and I pursued it like my life it depended on it. Being in Malawi and having seen hostile situations inspired me to find my passion to be heard and inspire people. CLS: What do you think about state of African music and the generation leading it? JJB: We are making strides on a long journey. Stereotypes are being challenged and at times broken. Artists are making careers out of it and that is awesome. A great deal of music artistes are anti-drugs, violence, misogyny against women and all the turmoil. Thankfully we have a growing conscious in some artists to be re- sponsible in their work and lives. CLS: What is your greatest 35 | Colossium . March 2019 Julius Jules Banda Julius Jules Banda also known as Jules is a Malawian Hip Hop Artist, Spoken Word Artist, Song- writer and Activist. Born on 1st January, 1993 Jules found creative freedom in music and poetry when he was 8. He recalls listening to Tupac Shakur and being inspired to rap. Raised by his mother, he moved around the capi- tal city (Lilongwe) and Johannesburg when he was very young. He would later learn to ex- press himself to deal with the abuse that his mother en- countered from his father. He holds a bach- elor degree in Arts Humanities from the prestigious University of Malawi, Chan- cellor College. He usually fuses Hip Hop with spoken word to tell distinct stories. He is set apart by his unique word play and de- livery. achievement so far? JJB: Releasing my debut EP with no record deal, no distribution deal and no job. People connected to it in over 20 countries. You hardly hear such stories from Malawi. God must be moving CLS: How about disappointments? JJB: In 2018 I failed to travel and perform at Lake of Stars in London due to funds. Some laughed at me. Now I laugh with them hahaha CLS: What do you do when not working? JJB: Listening to some of my favorite artists, hang out with friends and family and skate- boarding... CLS: Oh you are a skateboard fan. Interesting! Do you believe in love at first sight? JJB: Hahaha I wish CLS: Let’s talk about Malawian music, what form/s of music ex- ists in Malawi? JJB: Urban music is the main thing here. It’s also interesting because it has frustrated a lot of people to quit making music. Local music still has touch also and it is seen to have a closer connection with our tradition and code of conduct. CLS; Well, I guess same can be said about the Ghanaian music in- dustry. Where does your musicfit in Malawian music? JJB: My thing is Hip Hop, spoken word and song writing, I usually fuse these crafts into my work. I fancy jazz too; it has an impact in my approach. I started with Hip Hop after being inspired by Tupac Shakur, I was also doing poetry on low key level and then I got