Colossium Magazine December issue | Page 17

CLICK here to buy your ticket >> [ Review: LUCKY ] Instant Cult Classic “Lucky” Provides Polarized Lens to Examine Youth Culture in Accra - hakeem adam T hroughout the history of cine- ma, very few films have had the pleasure or burden of being truly iconic, bookmarking a very dis- tinct period in whichever cul- ture that inspired them. African cinema will always have Ousmane Sembène’s La Noire de…/Black Girl and Kwaw Ansah’s Heritage Africa or more recently Abderrahmane Sis- sako’s Timbuktu. ABSTRAKTE Films debut feature length film, Lucky, positions itself at the foot of these classics, inspired by that rich tradition, in an attempt to be truly iconic. The film, released in September 2018, follows two young men as they attempt to survive the relentless tirade of trauma that can be Accra, Ghana’s capital and in the process, provide a polarized lens to examine millennial life- 17 | Colossium . December 2018 style and culture through honest and direct depiction of varied lived experiences. Lucky, the principal character of the shape shifting tragi-comedy is in a race with himself, reality and fortune by restlessly striving for better, blind to the cost of his better. He attempts to achieve this with the help of Wadaada, the film’s low key star performer, who embodies the “Accra We Dey” spirit of hustling, as he snakes his way around the hardship of the city, always emerging with a new skin and a wry smile. Their ‘bromance’ threads the film together to present a collage of vignettes that highlight various social, political and econom- ic realities that young Ghanaians face. This collage is more of a puzzle, forged as a mirage with various seemingly