GORDON KENNEDY my Sims and Chris McHugh could get their parts down, and I’ ll do the bulk of my actual guitar parts at my own studio where I have all my various amps. For those tracking sessions, I just took a little 1965 Princeton Reverb and my’ 61 Telecaster. That Tele is killer; I can do everything with that guitar. you’ re the songwriter sitting on the other side of the glass. When you have legends like Pat Bergeson playing on Alison Kruass’ recording of Maybe or Dean Parks laying down the basic track on Change the World for Clapton, what are you thinking when you hear that?
As a veteran session player yourself, you have a unique perspective when
Wait, Pat Bergusen played on Maybe? That’ s him playing that solo? I didn’ t
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