Collectible Guitar SepOct16 | Page 16

FEATURE GEORGE LOWDEN: “MAN ON A MISSION” by Paul Clark  Today, most would leap at a chance to visit the villages teeming with roadside north coast of the Emerald Isle. Lush valleys, assistants rugged coastline, Norman castles, links golf in dialects as colorful as a courses, bucolic farms and state of the art Pentecostal tent meeting. Under shipyards all bid you an idyllic Irish greeting. But, the circumstances, I considered in 1977, when I traveled there to sing, it was it a miracle when I finally laid a war torn landscape of “Troubles” darkened eyes on the low profile shop on by car bombs, assassinations, barricades and 6a High Street, an iron shot from metal detectors. Dating to the Bronze Age, the Belfast Lough, an inlet of the Belfast has a lengthy history of Catholic and Irish Sea. divulging shortcuts Protestant contention coalescing through eras of commercial affluence and depression. With no spaces out front, I turned left onto Mill Street and seized an Fortunately, I was staying with friends in opening. Acutely aware of cars Newcastle, a quaint seaside town just south of being viewed as lethal weapons, Belfast. One evening, after fish and chips and a combined visit to the churchyard where tradition claims the parking skills from the right hand been converted to a flat top by New York repair remains of St. Patrick are reinterred, I voiced my drive Vauxhall, I drew suspicious glares from a guru, Matt Umanov. affection for golf and the desire to walk around gang of bystanders puffing on their “ciggies” world re-known Royal County Down Golf Club by the curb. Stepping out of the car, I pulled George had never seen a Martin of this stature, to my host, and his wife. They concurred. my gig bag over my shoulder like a rifle, all the but this is where my insight into who he was Coats buttoned, our conversation was as while hoping that my American accent “howdy” and where he was going began to get traction. imaginative as the convoluted topography. would suffice as a disarming mechanism. Not Respectful of its place in history, he simply During the transparent exchange of our youthful turning around to see if my guitar and I were veered away from peering inside my Martin, wanderings, he suggested I drive up to Bangor soon to become repurposed currency, I walked broadcasting zero interest in copy anything. His to meet a lad, who like myself, had an intense briskly up the street. Once I opened the door exuberance for the trail he was trekking assured interest in acoustic guitars. and climbed the stairs up to the shop, I not only me that he wouldn’t stop until he reached that felt peaceful, but I was instantly inspired by the summit. The following morning, I borrowed a car and with my lack of aroma of progress. was immediately baptized into driving on the Walking to his bench, he laid my Martin next to “correct” side of the road. Snaking north, I The inspiration donned flesh and bone when I what would become his original series model, navigated through endless roundabouts and heard a charming voice say something along the 0-22. Mirroring George viewing a vintage the lines of, “Good morning, you must be Paul. Martin for the first time, I had never seen a I’m George Lowden. The fellas told me you jumbo size mahogany body married to a dark were dropping by.” With that, the first seed cedar top. I had also never heard the term of what is now approaching a four-decade “luthier,” before that morning, but I wouldn’t friendship was born. have to research the term, I was in his presence. My eyes began scanning the shop but he Although our friendship is rekindled every seemed more keen on seeing what was in my January at the NAMM Show, in Anaheim, last case. It was a pre-war Martin. Originally an summer, I had the joy of returning to Ireland to arched top F-9 featuring Brazilian rosewood spend a week golfing together and hanging in back and sides and the iconic vertical C.F. the vintage Lowden house. Originally a stable Martin abalone inlay on the headstock, it had on an estate, the Finnebrogue Slip Garden George Lowden & Paul Clark 16 18 Sep  Oct 2016 CollectibleGuitar.com