Coach & Player Magazine Fall 2016 | Page 17

As a youth, Cotton frequented the Los Angelos public parks, honing his skills and dominating pick-ip games. (far left) Photo caption to come and will go into this space and style of a mountain of redemption. As the documentary – directed by Eric “Ptah” Herbert and co-written by Herbert and Michael Landers –reveals, his suicidal demons are defeated and regrets are in the rear-view mirror. far from the limelight on the minor league circuit in towns like Cedar Rapids, Iowa. after being cut loose from a minor league team called the Tulsa 66ers. A ‘Humbling’ Process While there are differences in their stories, the parallel between Daniels and Cotton leads up to the present day. Not only are documentaries about their battles making the film-festival rounds, but both are coaching kids – with plenty of first-hand cautionary tales to tell – at the AAU level. In the midst of a decade-long basketball road trip wrought with detour signs, he even found himself feeling rather foolish – and in his deepest emotional funk -- as a member of the Harlem Globetrotters. “I wasn’t in a good place,” Cotton reflected on the experience. “It was only for a month or so. It was a show. It wasn’t basketball. It was hard for me.” Cotton’s competitive fire was still burning through his team, as he was smarting over a tough loss that left his 12-and- under His prodigious skill set attracted national attention and a feature in Sports Illustrated. Enduring what he termed a “humbling process,” that began late in 2004 and ended early the following year when he joined the Darryl Dawkins-coached Pennsylvania ValleyDawgs, which played its games in a high school gym in Allentown that lacked the excitement of the ones he’d lit up as hoops prodigy. “I wanted to be someone different, and be somewhere different,” said Cotton, who did not return to an active roster until 2008 for a team in Venezuela photograph by Michael Angulo squad, Manchild Elite, with two losses in its first 17 outings and first loss in a championship game. “My dedication is to the youth,” he said, adding that the completion of the documentary has freed up more time. “I’m a mentor now. “Today my life is more simplified. I’m grounded.” Cotton is in his native Southern California, standing taller than ever atop “I’ve seen it countless times,” said Cotton, shortly after a showing at the Los Angeles Film Festival and ahead of viewings at the Calabasas Film Festival and Guangzhou International Documentary Film Festival in China. “It takes me back to that time in my life, so I have mixed emotions.” Cotton said constantly seeing his since-deceased father on screen is a “bittersweet” reminder of how long it took to get the project across the finish line. “I’m excited about where it’s headed,” he said. “It was 10 years, in its entirety. I scrapped the initial agreement, but I’m glad I didn’t give up.” A large part of the reason he is glad his documentary is in circulation is b ecause basketball has come to be so mystified in American culture that some reality checks are required. In “The Legend of Swee ’Pea,” a tearful Daniels says, “it’s not about basketball, it’s about life.” That’s a sentiment that Cotton – and others like them, from Greg Odom to Kwame Brown to Dajuan Wagner to the forgotten scholastic stars who never survived the college gauntlet – can understand. “The game of basketball just needs more stories that are real,” said Cotton, who once played 37 straight high school games with 37 different pairs of sneakers provided by Nike. “I’ve been through it. “I was the No. 1 player in the country. That meant everything that comes with it. A lot of things come easy. You’re 15-years- old and on the cover of Sports Illustrated. It’s a glass ceiling. “And there’s not a lot of loyalty in this sport. When things don’t Fall 2016 coachandplayer.com 17