Four awards totalling €750,000 were offered to Creative Co-Productions. The largest of these was €250,000 to Port Pictures for writer/director Matthew Bissonette’s Death of a Ladies Man. The film stars Irish actor Gabriel Byrne as a hard-drinking, womanising, university poetry professor, Antoine-Olivier Pilon (Mommy), and Brian Gleeson (Rebellion). The title is inspired by the work of Canadian musican Leonard Cohen and his 1977 album of the same name. Cohen was supportive of the project prior to his death in 2016, and his management continue that support.
€175,000 was awarded to Samson Films for Lina Luzyte’s The Castle, which is currently filming in and around Dublin. Lithuanian Monika (15) and her mother are struggling musicians in Dublin when they’re invited to play in a Galway Castle. To get money to go Monika kidnaps her Granny for ransom money. But what looked like a big break turns out to be a hotel dinner gig. Heartbroken, Monika plays – until finally realizes she needs no stage to shine.
€175,000 was also awarded to Gábor Rohonyi and Monika Mecs’ Gingko, produced by Park Films. Based on real events that happened 17 years ago, the story will explore how one can move on following a tragic situation. Hungarian director Gábor Rohonyi said his film was inspired by a violent car accident: an Irish driver kills two Hungarian children on the road. The Hungarian parents and the driver’s family meet only once, with their distinct calvaries forming the backbone of the screenplay. The film is a Hungary/Ireland co-production.
Parallel Film Productions (Brooklyn) received €150,000 for writer/director Philippe Falardeau’s My Salinger Year. Based on the novel by Joanna Rakoff, it’s the story of English literature student Joanna, who is hired by a publisher to answer the famous writer’s fan mail.
Additional Production funding of €9,375 was awarded to Tom Collins and De Facto Films for work on his feature Aithrí/Penance. The film sees Peter Coonan play Father Eoin O’ Donnell, a young firebrand priest, who uses his influence over his parishioners, and in particular a teenage boy called Antaine, to promote violence against the British in the lead-up to the 1916 Rising. O’Donnell and Antaine meet again in Derry in 1969 where both men are forced to re-examine their shared past and the deadly events that have been set in motion as a result.
In Animation Production, Turnip & Duck were awarded €200,000 for Colm Tobin and Aidan O’Donovan’s Critters.TV, a 15 episode series directed by Ian Benjamin Kenny, in association with Crossing The Line Productions.
The largest funding section (in terms of project numbers) in any round is Project Development, with 26 future fiction films sharing €520,350. Emer McLysaght and Sarah Breen’s adaptation of their own novel Oh My God What A Complete Aisling was awarded €36,000 for producers Element Pictures. That book was itself adapted from the popular Facebook page ‘Oh My God, What a Complete Aisling’ and tells the story of the quintessential country girl in the big smoke.
Maudie director Aisling Walsh’s next project, a Swedish/Irish co-production called Dr Glass, was offered €20,000. The film is based on the classic Swedish novel by Hjalmar Soderberg, and tells the story of Dr Glass, an introspective, stylish intellectual who shields himself from his life and his past with a cool and clinical veneer. His life and values are thrown into turmoil when he falls obsessively in love with Helga and finds himself at the heart of a complex and shifting moral and romantic dilemma. To be produced by Fantastic Films, Makar Productions and Solid Entertainment.
Rioghnach Ni Ghrioghair and 925 Productions were offered €12,550 to help adapt Ni Ghrioghair’s short film NEON into a feature. The film sees a sacrificial population tasked with carving out a clean passage with neon lights between pockets of surviving civilisation. One ‘runner’ dares to race for her life against all the odds. NEON is a break-neck cyberpunk action sci-fi set in a future decaying world. The filmmakers have made the short available as a proof-of-concept for the feature (see above).
Good Favour and Mammal director Rebecca Daly’s next film A High Place, co-written with frequent collaborator Glenn Montgomery, was awarded €33,500 for producers Sixty Six Pictures. Montgomery is also the writer on Fastnet Films’ Midnight Choir, which was awarded €12,000. It will be directed by Mark Noonan (You’re Ugly Too).
Director Frank Berry, recent winner of best film at the IFTA’s for Michael Inside, was offered €30,000 for If You’ll Have Me, to be produced by Subotica. Emer Reynolds, who most recently gave us the brilliant documentary The Farthest, returns to directing duties for Patashnik, which is written by Gavin Burke. The film was awarded €20,300 for producers Samson Films. Gavin Burke is also the writer on Tailored Films’ Dead Cities, which was awarded €15,600.
Treasure Entertainment were awarded €26,500 to develop Sarah Francis and journalist Una Mullally’s abortion drama Get The Boat. The film was previously offered Screenplay Development funding of €14,000 in Quarter 1 of 2017.
Three awards of €25,000 were made to Metropolitan Film Production for Juanita Wilson (Tomato Red)’s Right of the Boom; to Black Sheep Productions for Ailbhe Keogan (Run & Jump)’s Ping Pong; and to Ripple World Pictures for Clare Dowling and Hilary Reynolds’ Nine Lives: The Book of Learning.
Song of Granite director Pat Collins was offered two awards for upcoming films, €22,400 for The Aran Islands, written by Collins, Eoghan MacGiolla Bhride and Sharon Whooley for Harvest Films; and €21,500 for That They May Face the Rising Sun, an adaptation of John McGahern’s novel of the same name by Collins and Eamon Little for South Wind Blows. That film will tell the story of Joel and Kate Ruttledge, a London couple who move to rural Ireland in search of a different life.
Noble director Stephen Bradley was awarded €20,000 for The Safe, written by Owen O’Neill for Danman Films. Two recent Irish horror creative talents return, The Cured director David Freyne with Beards, awarded €18,550 for Tailored Films; and The Lodgers writer David Turpin with The Foundling, which was awarded €16,500 for Tailored Films. Turpins’ Fifty Thousand Words was also awarded €13,250 for Kennedy Films.
Other awards went to Parallel Film Production and writer Conor MacNeill’s The Laughter of Our Children (€20,000); Horizon Pictures and writer Orlagh Collins’ No Filter (€19,500); Feline Films and writer/director Nathalie Biancheri’s Wolf (€16,400); Black Sheep Production and writer/directors Ronan and Rob Burke (Standby)’s Hanging From The Rafters (€15,900); Savage Productions and writer/director Brendan Muldowney (Pilgrimage)’s House of the Dark One (€15,000); Tiger Darling Productions and writer/director Michael Kinirons (Strangerland)’s Blackbird (€14,000); and Samson Films and writer/director Margaret Corkery’s Alice Wants an Ice Cream (€13,900).
In International TV Drama Development €29,850 was awarded to production company Black Sheep Productions (Standby) for ten-part period drama The Encounter, written by Marcus Fleming (An Klondike). €27,000 was also awarded to Underground Films (One Million Dubliners) for Famine Girls, written by Screen Star of Tomorrow Farah Abushwesha (The Last Photograph) and Oscar-nominee Naomi Sheridan (In America).
Older Than Ireland and The Irish Pub makers Atom Films were one of four companies awarded Documentary Development funding in this round, receiving €15,000 for director Alex Fegan’s The Irish Wedding. Two further awards of €15,000 were made to Underground Films for Catherine Bainbridge’s White Privilege AKA What’s Up White People, written by Bainbridge and producer Rachel Lysaght; and to Coco Televison for Ruan Magan and Briona Nic Dhiarmada’s From This Small Island. Below the Radar Films were offered €8,325 for The Sheriff, written by Claire Burgoyne and to be directed by Grace Sweeney.
Two projects were awarded Animation Development funding, Pewter Animation’s Lily’s Little Acre, written by John Dawson; and Treehouse Republic’s Atom Town, written by Colm Tobin (Brain Freeze) and Aidan O’Donovan, and to be directed by Graham Holbrook.
Two recent releases were awarded Distribution Support for their distributors: Element Pictures Distribution received €75,000 for Nora Twomey and Cartoon Saloon’s The Breadwinner, written by Anita Doron and novelist Deborah Ellis; and Eclipse Pictures received €20,000 for Thaddeus O’Sullivan’s part-fiction part-documentary Citizen Lane, written by Mark O’Halloran.
Direct Distribution funding of €15,000 was offered to Blinder Films for the release of Sinead O’Shea’s documentary A Mother Brings Her Son to be Shot.
CinÉireann / Issue 9 39