Christian Musician SepOct16 | Page 40

RECORDING ESSENTIALS [ THE ART OF MAKING GREAT RECORDINGS PART I | Doug Doppler ] While I don’t tend to be a fan of multi-part articles, to think as both an artist and engineer, I am challenges, our varied experience and financial this topic is simply too important to cram into a looking forward to serving up some great food means can really limit our perspective on the single issue. Capturing a great performance is for thought, as well as some really practical recording process. That is to say that if you’re every bit if not more about the performance as advice on how to raise the bar across the entire sole recording experience is using Garage is it about recording it. While it seems obvious creative experience before, during and after Band on an iPad, that is the lens through that coaxing an inspired performance out that little red light goes on. which you’ll likely see the world of recording. of a musician is an essential part of a great Because of this I’d like to start by equalizing our recording, most of the articles I’ve read on BACKGROUND recording offer little or no input on how to do Over the years I’ve had the opportunity to work collective perspective. this. All of this is further complicated by the fact with producers/engineers like Eric Valentine LEVELING THE PLAYING FIELD that these articles tend to be written by and for (Keith Urban, Maroon 5, Third Eye Blind, Slash), To help level our collective playing field, looking engineers. While honing our engineering chops John Cuniberti (Joe Satriani, Chikenfoot, Dead back at what’s been lost in translation as we’ve is part of what we’ll be covering, we live in a Kennedys, Jerry Garcia), and Richie Corsello moved into the digital age is a great place to day and age where many of us function as both (McCoy Tyner, Bill Evans, Sonny Rollins, Greg start our conversation. The producers and the talent and the engineer. To me this means Kihn) in some pretty amazing studios, most engineers who showed me the ropes were we’re probably having the wrong conversation of which are now closed. Generations of talking with me and not at me. They really cared to begin with. To help bridge this gap, this engineers got their start as interns, making to pass on the things that shaped their careers series of articles is going to be written from the coffee and cleaning toilets before working their with the hope that they could help shape mine. perspective that the creative, recording, and way up through the ranks. If they had talent, It is in this exact spirit with which I’ll be writing performance worlds have collided in a beautiful a strong work ethic and the right attitude, the this column. way. Whether you’re an engineer wanting to older cats would take them under their wing make more inspired recordings, or a guitarist and show them the ropes. As the heyday of big THE DIGITAL VACUUM wanting to capture the actual sound of your recording studios declined, so did this process. Today, it’s easy to live in a digital vacuum guitar in the room, this series is going to have something for you. For those of us who have where we master how to harness technology Although many of us share a common set of without the benefit of knowing more about the path that got us here. As recording in a home studio has become the norm, a wealth of experience-born knowledge has tragically been lost along the way. It used to be that engineers were a community of people working at one or more studios, sharing their trade secrets, and deconstructing those used on the latest records. In those days people used much the same equipment, which meant that the path from point A to point B was much easier to trace. Whether it’s Mac or PC, corporations have made it their mission to separate us into tribes instead of a community of recording enthusiasts. While the iconic producers and engineers might have had their preference between a Neve or an API console, it all ended up on a Studer 24-track machine. Because of this, their collective experience was more alike than not. This meant that a great sounding record was the result of a great production. 40 Sep  Oct 2016 ChristianMusician.com