Christian Musician SepOct16 | Page 22

[CM] Ian, tell us how you got started in music How did that come about? [CM] How did you transition from artist to in the first place? producer? IAN: I like to joke that as an artist, “I’ve been IAN: As a kid, I remember being completely dropped by every record company in Nashville IAN: I only really wanted to be an artist and overwhelmed by melodies constantly swimming multiple times”. In reality it’s not far from the a writer. Honestly, I was a reluctant producer. through my head. I would air guitar and sing truth. After college I moonlighted in a few bands In hindsight it was a bit strange that my labels in front of the mirror to The Police and Adam like Code Of Ethics, Newsboys, etc… playing used to give me a small budget and say, “Ok And The Ants, pretending I was on stage. I’m keys and doing a bit of singing.   Ian, go make your album.” I guess because I thankful there is no video footage of this. had an early grasp on the music technology This led to the release of my first solo album and the sound I wanted there was never a Even though I was average at best and on a division of a division of a division of Word discussion of hiring a producer.   not classically trained, I gravitated toward Records, and a follow up album with Reunion keyboards and singing. At 16 I worked all Records. I was about to be label-less again After the heavy touring days I started writing summer long as a hotel bellhop to buy my first when a three month tour sharing a bus and songs for other artists, and when the demos keyboard - a Yamaha DX 27 that had a split- opening for Steve Taylor changed my whole started to get pretty good, presto! I was a able keyboard; bass down low and synth on perspective on what Christians could be singing producer.   top (whoa!). The natural progression was a about. I immediately transitioned my solo thing series of embarrassing 80’s synth pop bands to a band thing called All Star United, which is [CM] Let’s talk about the recording studio you where I excelled in the finer arts of bad hair and where my career really started to take off. It was have built for your projects. What are you using worse dancing.   really freeing to be able to write Christian social as far as recording? Monitors? Mic’s? Signal commentary songs with a hint of wit. Though I processing? Guitars? Give us the skinny on Looking back it was cool to come up in don’t tour anymore, I still do some recording as the tools you use for making those number one a time when music technology was in its All Star United because it’s so much fun. songs… infancy. Working in the first sketchy versions of programs like Performer 1.0 entangled in a nest IAN: I built “The Holiday Ian” about 10 years of MIDI cables running random boxes certainly ago and it has served me well. I call it the has given me a huge appreciation for where we incredible shrinking studio, because these are now. I still have nightmares about locking days you just don’t need very much. I didn’t tape and machines with SMPTE. build a drum room because in Nashville you can bounce around to phenomenal drummer’s [CM] You signed with a record company and places who are all set up and ready to rock. had a career as an artist back in the day when I then bring it all back on a hard drive called, there actually were a lot of record companies. “The Holiday Ian Express”. 22 Sep  Oct 2016 ChristianMusician.com