Christian Musician SepOct16 | Page 14

DRUMMING DYNAMICS [ QUINTUPLETS: GRASPING A CONCEPT | David Owens ] A few months ago, a student of mine asked me complex as this section is, it really does groove. shaker part on high hat and the udu parts on to figure out what time signature a section of a bass drum and snare. Jacob Collier song was in. First and foremost, Once I grasped what he was doing all I could if you are not familiar with Jacob Collier, you think was, “How did he come up with that?” I Now I’m sure many of you are saying, “I would need to go on what I refer to as a “YouTube know we are talking about some pretty heady never use that in a worship situation.” And vortex” and discover this amazingly talented stuff here, but let’s try to wrap our brains around you’re right, but think about how much better young artist. The first song I would recommend 30 seconds of it. Consider this momentary those eight-note and sixteenth-note grooves you listen to is “Don’t You Worry Bout A Thing” journey into Jacob Collier’s brain an ear-training will feel once you have mastered quintuplets. by Stevie Wonder. It gives a good overview of exercise. what Jacob is all about. For further investigation, search for Anika Nilles I have separated out the udu and shaker parts - Exploring Quintuplets. I think you will enjoy the The song that this particular student had he is playing below. Under that, you’ll find a few cool drumming this young woman does using a question about is actually an original of exercises to help you understand the feel of these groups of five. Jacobs called “Hideaway.” Two minutes and quintuplets. Start playing these by tapping your 26-seconds into the piece, I thought that I was feet to quarter notes. Then make them harder All of the above said, let’s embrace the listening to something written in five. On further by tapping your feet to eight notes. challenge of a new rhythmic concept and use listening, I realized he was playing quintuplets, that to motivate us in our practice rooms. but also that the shaker part was playing The ability to comfortably play quintuplets is the quintuplets in groups of three. The shaker part first step to grasping what Jacob is doing here. gives it an over-the-bar line shuffle feel. And as And if you’re up for a challenge, try playing the Blessings, David 5 > > 5 > > 5 > >5 > 5 > > 5 > >5 > 5 > 2:26 ‚ œœ œœ œœ œœ œœ œœ œ œ œœ œœ œœ œœ œœ œœ ≈ œ≈ ≈ ≈ œ ≈ œ≈ ≈œ ≈ ≈ ≈ œ≈ ≈ œ > 5 > >5 > 5 > > 5 > >5 > 5 > > 5 > >5 œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ œ ≈ œ ≈ ≈ ≈œ ≈ œ ≈ œ≈ ≈ ≈ œ ≈ > 5 > > 5 > >5 > 5 > > 5 > >5 > 5 > > 5 > ‚ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ ≈ ≈œ ≈ ≈ ≈ œ≈ ≈ œ ≈ œ ≈ ≈ ≈œ ≈ > 5 > > 5 > >5 > 5 > > 5 > >5 > 5 > > 5 > œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ≈ ≈œ ≈ ≈ ≈ œ≈ ≈ œ ≈ œ ≈ ≈ ≈œ ≈ 3:06 5 5 3 3 5 3 3 5 ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™™ ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™™ œ œ œ œ œ œ œ œ 14 Sep  Oct 2016 ChristianMusician.com