Chiiz Volume 04 : Wildlife Photography | Page 3

Serious Business Women Canon EOS 5D Mark III 50mm F/7.1 1/80s ISO2500 Women of India: Deepti Asthana A n engineer by training, Deepti was introduced to photography in 2012. She developed her passion for photography and explored different facets of it along with her day job, as an IT engineer. In 2016, she took the leap of faith and started to work as an independent photographer. Deepti wants to tell her story through the stories of Indian women settled in small towns and villages to highlight the gender issues in those parts of India, which are largely differentiated from urban India and the western world. We get in talks with her about her project ‘Women Of India’ and below is an excerpt from her conversation with ANUSHREE SONI. photography and got involved in it. Later when I moved to Mumbai, I got different jobs and got into travelling as I needed more time for photography. Soon after I started with my travel blog datravelography.com which helped me to make a name for myself. I started getting different assignments and invitations from the tourism sector through which I got to travel around 10 -15 countries. As a child, I have been through a lot and I used to see that in the stories wherever I travelled. I started working towards a project called ‘Women of India’. Now my travels are more about photography than travelling. I try to stay for longer time to talk to people,understand their issues, conduct their interviews and take pictures. Let’s start with the obvious question, how did it all start? I was inclined towards art from the very beginning. I was working in UK in an IT company, where my colleague, who is also a landscape photographer, introduced me to photography. This happened in 2012. When I came to Delhi, I saw a couple of people doing Your project “Women Of India” has a very special and aesthetic feel connected to it. What was the idea behind it? The idea was to get a platform for the women and their stories.They are extraordinary stories of very ordinary people that endeavour to bridge the gap between rural and urban areas. I really want to cover places which are more from rural India because I think those are the places which are untouched and less talked about. Rights of Indian women are very unfairly distributed and there is a very slow development towards it. What are your views about it? And how can you bridge the gap between the two worlds through your project ‘Women of India’? When we talk about the issues of rural India, the urban class seems to be unaware about these things. Even today, in certain villages, the girl child is struggling to go to school and get basic education. Child marriage is very common and in some areas, girls don't even have access to menstruation products. These are the things which urban class cannot relate to. For them, it used to happen 50 years ago. But a large part of India still lives in such way and people are still centuries behind in these areas. The idea is to make them aware that this is not the India you know, there is much more to it. That is how I can bridge the gap, through my photo stories.