Chess Moves Enero - Febrero 2011 | Page 5

nament favourite, Carlsen, was lingering back in fourth place, having sensationally lost two of his four games to that point. Starstruck in Olympia (continued from the front cover) Let’s be honest: I’m not a frequent chess spectator. My last visit to a grandmaster tournament – which also happened to be my first – was in October 1985, when by chance I was taking a few days’ holiday in Montpellier, France at the same time as the Candidates Tournament and decided to go along. Among the stars were three former world champions (Vasily Smyslov, Mikhail Tal and Boris Spassky), the eventual winners and the strongest Soviet challengers to the KarpovKasparov hegemony (Yusupov, Vaganyan and Sokolov), the great hope of the West (Jan Timman) and a certain young English grandmaster called Nigel Short. Before play began for the day in the Classic itself, the ECF’s very own Adam Raoof gave me a tour of the facilities. It was a genuine thrill to stand on the main stage facing the large auditorium which shortly would be filled to capacity with several hundred absorbed spectators. The four boards were placed in front of a giant screen, on which the moves of the games would be displayed thanks to the wonders of the sensory chessboards in common use at grandmaster events these days. Behind the screen, some of the tournament’s many officials would be making sure that the various feeds worked smoothly, keeping everyone at the venue and online in touch with the moves as they happened. Adam told me that Vladimir Kramnik liked to wander around backstage during his game, staring at the projected image of the games on the back of the screen. And Victor Korchnoi. Victor Korchnoi during his second LCC simul Elsewhere in the conference centre, an entire chess festival was taking place. Alongside the elite tournament, hundreds of amateurs were enjoying the opportunity to compete in a range of events – standard play, rapid and blitz – while desperately hoping that simply being in the same building as Anand et al. would infuse their play with just a little chessboard magic. In its way, the sight of so many people, young and old, drawn together by a shared love of chess was as inspiring to me as the glamour of the Classic. To a veteran of weekend chess such as me, it was abundantly clear that the festival spirit had transformed all of these events into something quite out of the ordinary. At 2 o’clock, the Classic got underway. Round 5 saw, in effect, an England versus the Rest of the World match, as the English players found themselves paired against the four overseas players: Anand – McShane Nakamura – Short Adams – Kramnik Howell – Carlsen Korchnoi was not having the best of times in Montpellier, but I still remember what a thrill it was to see the great man in action on stage. The start of my serious interest in chess coincided with Korchnoi’s first post-defection assault on the world championship in 1977 – my very first chess magazine included a report on his quarter final match against Petrosian – and I had spent the following years in wonder at the superhuman exploits of “Victor the Terrible”. If I could be said to have had a “chess hero” at that time, Victor Korchnoi was that hero. Arriving at the impressive Olympia Conference Centre in Kensington, I was reminded of that earlier event. Once again, the quality of the field was tremendously strong: World Champion Viswanathan Anand, world number one Magnus Carlsen, former world champion Vladimir Kramnik, American star and world number 15, Hikaru Nakamura, along with the top four English players, Michael Adams, Nigel Short, Luke McShane and David Howell. The excitement and sense of occasion were palpable, not least because on the day I was there (round 5), a Brit – Luke McShane – was sharing the lead with the World Champion, while the pre-tour- Round 5 5