Chazen Calendar Feburary–March 2016 | Page 9

3 Thursday 9 Wednesday 17 Thursday 24 Thursday 12:30 p.m. A docent leads a 12:30 p.m. John Hitchcock: 2 p.m. A docent leads a 40-minute 12:30 p.m. A docent leads a 12:30 p.m. A docent leads 40-minute tour in the permanent Gallery talk on his work in the Art tour, docent’s choice. 40-minute tour in the permanent a 40-minute tour in the collection. Department Faculty Quadrennial permanent collection. 27 Sunday 13 Sunday Exhibition 2016. 2 p.m. Sunday Cinematheque: collection. Bergman, Smiles of a Summer 20 Sunday 12:30 p.m. Sunday Afternoon Live at 10 Thursday Night (Sommarnattens leende), Sweden, 1955, 35mm, 108 min., 2 p.m. A docent leads a 40-minute 2 p.m. A docent leads a 40-minute the Chazen with Pro Arte Quartet. 12:30 p.m. A docent leads a Swedish with English subtitles, tour, docent's choice. tour, docent's choice. 2 p.m. A docent leads a 40-minute 40-minute tour in the permanent directed by Ingmar Bergman, tour, docent's choice. collection. cast: Ulla Jacobsson, Harriet 2 p.m. Sunday Cinematheque: 12:30 p.m. Leslee Nelson will 6 Sunday Bergman, The Magician (Ansiktet), Sweden, 1958, 35mm, 101 min., Swedish with English subtitles, directed by Ingmar Bergman, cast: Max von Sydow, Gunnar Björnstrand, Ingrid Thulin. In one of his greatest roles for Bergman, von Sydow is Dr. Vogler, a traveling magician and snake-oil salesman who, in nineteenth-century Stockholm, is challenged by a cruel member of the royal cabinet. Gunnar Fischer's stunning black-and-white camerawork is one of this underrated film’s many virtues. conduct a workshop to inspire visitors to start a memory cloth. Offered in conjunction with her related work in the Art Department Faculty Quadrennial Exhibition 2016. No preregistration or fee required. All materials are provided, but participants are welcome to bring a handkerchief or cloth napkin for the project. Mead Witter Lobby. Andersson, Eva Dahlbeck. On a summer's eve at the turn of the century, love runs amuck at a country estate for a group of crisscrossed lovers. The typically serious Bergman weaves a comic tale of romantic entanglement worthy of Shakespeare. “There is an abundance of passion here, but none of it reckless; the characters consider the moral weight of their actions, and while not reluctant to misbehave, feel a need to explain, if only to themselves. Perhaps here, in an uncharacteristic comedy, Bergman is expressing the same need.” Roger Ebert 2 p.m. Sunday Cinematheque: Bergman, Wild Strawberries 31 Thursday (Smultronstället), Sweden, 1957, 12:30 p.m. A docent leads a 35mm, 92 min., Swedish with 40-minute tour in the permanent English subtitles, directed by Ingmar collection. Bergman, cast: Victor Sjöström, Bibi Andersson, Ingrid Thulin. A cold, egotistical professor (played by legendary silent movie director Victor Sjöström, then in his late ’70s) embarks on a long car journey. Over the course of the trip the aging man dozes, his succession of dreams revealing the shortcomings and losses of his youth. A staple of art-house cinema since its first release, Wild Strawberries was positively essential in building Bergman's international reputation.