Cennarium Backstage Issue 2 (Summer 2017) | Page 8

The Operas of Verdi BY JOHN FANCHER Starting in the mid-19th century, Giuseppe Verdi became the leading composer of Italian opera, following the dominance of such composers as Donizetti, Bellini and Rossini. Born in 1813 in a small village near Busseto, the northern Italian province, Verdi was the first child of his family and was born in their home. • Verdi’s gift of musical talent was apparent to his family and educators right away and by the time he was eight years old Verdi was already an appointed organist for pay after his earliest musical teacher passed on. He continued his musical education at the age of twelve when he studied at the music school associated with the Philharmonic Society. • Penning his first operas in the mid 1800’s, Giuseppe Verdi would go on to create some of the most well-known operatic pieces in the genre. In this piece we would like to highlight a few for you. LA TRAVIATA Meaning The Fallen Woman, this three-act opera inspired by the Alexandre Dumas novel La Dame aux Camélias inadvertently through a play adapted from the story and was originally titled after the primary character, Violetta. Premiering at the La Fenice opera house in Venice on March 6, 1853 La Traviata staging was set in the past despite Verdi’s wishes and those of his librettist Francesco Maria Piave. The duo intended this opera to have a contemporary setting. It wasn’t produced in this way until nearly thirty years later. The inspiration for La Traviata came to Verdi when he was spending time in Paris with his second wife Giuseppina Strepponi and went to see a play based on the Dumas novel. Historians say Giuseppe Verdi immediately began writing music that would later turn up in the first produced version of La Traviata. Verdi and his librettist worked diligently to create a great work and, from the response opening night, they didn’t realize how significant this opera would become. Not only did they have multiple obstacles with the La Fenice regarding who performed and what time it was set in, the audience reception was not great. Photo by Werner Kmetitsch. 8 Cennarium.com #cennariumbackstage 9