HOME RECORDING ROUNDUP
PreSonus StudioLive ARc Mixers
PreSonus has introduced the StudioLive ARc series of mixers, which
combine a multi-channel 24-bit, 96 kHz, USB-C compatible, USB 2.0
audio interface with an analog mixer front-end to create a hybrid
design that simplifies recording and mixing using one intuitive
console.
The three StudioLive ARc models feature newly designed, high-
headroom analog circuits, along with the company’s high-gain XMAX
Class-A mic preamps. The StudioLive AR8c, ideal for small home-
recording projects, has four mic preamps and six balanced line inputs
for 8x4 recording/playback; the StudioLive AR12c, ideal for full-band
recording in a project studio, has eight mic preamps and 12 balanced
line inputs for 14x4 recording/playback; and the StudioLive AR16c,
ideal for bigger recording projects and performances, boasts 12 mic
preamps and 16 balanced line inputs for 18x4 recording/playback.
All models support: recording every channel, plus the main mix over
USB and feature a musical, three-band analog EQ on every channel;
mic/line boost for low-level vintage synths, broadcast microphones,
and consumer electronics; and Bluetooth 5.0 connectivity. A new
digital effects processor with 16 presets supplies reverbs, delays, and
chorusing and includes a dedicated send and return, as well as a
bypass footswitch jack.
For more information, contact Erikson Audio: 514-457-2555,
[email protected], www.eriksonaudio.com.
Waves Abbey Road Saturator Plug-In
Waves Audio has released the Abbey Road Saturator plug-in.
The Abbey Road Saturator is a saturation and distortion plug-in
analog-modeled directly from saturation chains at the iconic studio.
Abbey Road engineers were known to experiment with the wealth of
original EMI gear at their disposal and push the equipment to its limits,
yielding some “happy accidents”; Waves says this plug-in captures
some of those very specific and unique sounds.
The plug-in models the original and ultra-rare EMI TG12321
“compander” used at Abbey Road in the 1960s and gives flexible
control over its crossover frequencies, allowing it to focus in on
different ranges depending on the source material. The added phase
knob causes the saturation to work in parallel, altering the personality
of the distortion harmonics. The plug-in also sports M/S processing
options, letting the distortion apply either in stereo or to the mid or
sides separately.
For more information, contact Waves Audio: 865-909-9200,
[email protected], www.waves.com.
Apogee Symphony Desktop Audio
Interface
Apogee has introduced the Symphony Desktop audio interface for
Mac, iPad Pro, and Windows. It puts the sound quality of Apogee’s rack-
mount Symphony I/O Mk II into a 10 x 14 desktop audio interface.
The Symphony Desktop boasts Apogee’s flagship AD/DA
conversion, along with hyper-realistic preamp emulations and
powerful DSP. It has digital sound quality at up to 24-bit/192 kHz, while
analog components ensure clean, low-distortion results. Users can
track through Apogee’s Alloy Mic Preamp emulations to add grit and
character at the source. It also offers Apogee FX plug-ins, powered
either by the interface’s built-in DSP or natively within the DAW, in a
myriad of flexible, low-latency workflows. An array of analog and digital
I/O options makes integrating this interface with a studio easy, while a
touchscreen display supplies intuitive operation from the desktop.
For more information, contact Hal Leonard: 414-774-3630,
[email protected], www.halleonard.com.
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