Canadian Musician - May / June 2020 | Page 55

At-Home Tracking Tips: THE POTATO FILTER By Sylvia Massy (Tool, Prince) Taken from Recording Unhinged – Creative & Unconventional Music Recording Techniques 1.@ Take a solid-state guitar amp head-to-speaker set-up. 2.@ Cut the speaker cable that runs between the head and the speaker in half and sep- arate the positive and nega- tive sides. 3.@ Insert a potato on each side. Now you have a po- tato filter! This also works well with hot dogs and other food items. The first time I tried this was during Mix with the Mas- ters in spring 2016 in France. I made a quick diagram in my notebook and we collectively set out to make it work. The effect of the potato filter is an attenuation with a slight sweet high-shelf EQ. “When I was a teenager in the late-‘90s, everybody played guitar. The internet wasn’t as developed as it is today and there wasn’t much to watch on TV and there’s just so much basketball and soccer you can play outside. Everybody just played music and it was very competitive. It definitely helped my development on the instrument. I wanted to be up there with the best of them. There were only three or four bands and about 30 or 40 guitar players, so if you wanted to be in a band, you had to be really good.” Once in Montreal and The Damn Truth got started (which includes Shemer’s partner, Lee-La Baum, on vo- cals), their sound – which is reminiscent of Janis Joplin fronting Led Zep if Jimi Hendrix took over the lead guitar spot – didn’t quite fit in with the city’s indie sensibilities. “When I started playing music in Montreal, it was that whole indie-electro vibe. There wasn’t really a lot of guitar music being played in the city. I found it very frustrating; it was almost like a bad word to say ‘I like playing blues and rock.’ Both Lee-La and myself used it to our advantage. If I feel this way about not connecting to the scene, there’s gotta be other people in the city who are like-minded.” It was a bet that paid off. After paying for and produc- ing their debut album themselves, The Damn Truth start- ed garnering radio play, which led to tours across Canada and overseas. Now, they’re firmly entrenched as Montre- al’s go-to band when you need bluesy, dirty rock ’n roll. Not that Shemer doesn’t have some lingering con- nections to Israel. “I actually have a guitar that was built in Israel by a company called Bunting, which is really cool. These are a couple of guys I didn’t really know but they approached me and said ‘We really love what you guys do in The Damn Truth and would love to build you a signature model.’ It took a bunch of months but eventu- ally they invited me to come to the workshop after a Eu- ropean tour. We hopped over to Israel and the guitar was ready. It was just amazing, kind of like a rebirth.” @ RABIN NOTE: This does not work with tube amplifiers. Pushing the Envelope with SAM ERMELLINI Pyramid Theorem Go-To Live Rig: •@ Gibson Les Paul Standard Guitar •@ Gibson ES-335 Standard Guitar •@ Ibanez 7-String Premium Guitar •@ Fender Telecaster Guitar •@ Suhr Guitar •@ EVH 5150 Amp •@ Morley Pro Series II Wah •@ Line 6 HX Effects  •@ TC Electronic PolyTune 2  CANADIAN MUSICIAN 55