Canadian Musician - July/August 2020 | Page 52

share the link via Google Calendar, and the process has been seamless. The cell call doesn’t eat up any bandwidth on my internet connection and the real- time feedback is as close to an in-person session as you can get. SMART WORKFLOWS Remote productions can easily lose steam because there exists more technical work than we may be used to. While working in a studio, a lot of the set-up and routing is handled by one person at the desk as clients and collaborators are standing by. With most of us at home working solo, a lot of that mind-numbing setup and routing lands in our laps. In order to reduce the amount of non-creative time, I’ll lay out a few tips on how to unroll your productions. Keeping things in sync: Start with rhythm tracks and only roll out new layers once the timing has been corrected on the current layer. I can’t stress this enough. Musicians need to play to really well-presented material. That presentation often revolves around meter and groove. Make sure there are no timing discrepancies before moving on to the next layer. Don’t rush this and don’t get ahead of yourself. Making space for others: It’s okay if your part sounds a little empty at times. You want co-creators to be able to quickly imagine a part and get inspired. That comes more easily when we intentionally leave room. Watch out for redundant layers: It can be very easy for two collaborators to be painting the same colours in the same areas on a track. If two instrument layers are in the exact same register, have a close listen to them and PHOTO: PAUL ATWOOD Tools for remote work… Google Drive. It’s free and is fully integrated with my main means of communication, Gmail, and my main means of organization, Google Calendar. I know there are other sites that can handle bigger file loads, but Drive just makes it so damn easy. COLIN BUCHANAN Colin Buchanan is a producer and mixer based in Charlottetown, PE. Working primarily out of The Hill Sound Studio, Colin has collaborated with such East Coast staples as Paper Lions, Sorrey, Kinley, Coyote, and Adyn Townes. www.thehillsoundstudio.com. Tips for remote work… Organization! It’s so, so important to keep your own session organized but also make sure the artists or producers you are receiving files from are labelling, comping, and generally sending you tidy sessions or stems. LIN GARDINER Lin Gardiner is an engineer, writer, and producer who works predominantly out of her studio, The Sound Garden Retreat, on B.C.’s Sunshine Coast. She also directs music for video games, so she’s no stranger to working remotely with collaborators from around the world. www.thesoundgardenretreat.com. PHOTO: TALLULAH PHOTOGRAPHY 52 CANADIAN MUSICIAN