Campus Review Vol 29. Issue 10 October 2019 | Page 18

industry & research campusreview.com.au Get creative New CREATE Centre wants all learning infused with creativity and the arts. By Wade Zaglas T he centrality of creativity and the arts to learning and the future of the workforce is the focus of a new centre at the University of Sydney. Launched by award-wining playwright Wesley Enoch, the opening was attended by about 100 teachers, academics and other industry professionals. The Creativity Research, Engaging the Arts and Transforming Education (CREATE) Centre will be led by Robyn Ewing, a professor of teacher education and the arts, and Michael Anderson, a professor in the School of Education and Social Work. The CREATE Centre will emphasise the importance of “creativity and the arts – literary, performing, visual and media – to learning” and will collaborate with similar creative centres across the world, as well as key Australian institutions including Bell Shakespeare, the Sydney Theatre Company, the Museum of Contemporary Art and the Sydney Writer’s Festival. A host of national and international schools and universities have already signed up to collaborate with the CREATE Centre, as well as practitioners and policymakers in fields as diverse as medicine and health, education, performance studies, literature, business, music and Indigenous language learning. “It is critical now that we create dynamic places and spaces for imaginative learning 16 and ensure our young people are equipped for both our current challenges and those that lie ahead,” Ewing said. “Recent Deloitte Australia research suggests that re-imagining how we prepare for the world of work – and equipping our future workers with interpersonal skills and creativity – could contribute $36 billion to our economy.” In an interview with Campus Review Anderson pointed out that research other than the Deloitte study points to the economic benefits of creativity and interpersonal skills. He also said infusing creativity and the arts into schools, universities and other institutions could turn them into more “exciting and vibrant places to be”. “When you introduce creativity into schools, a world of possibility opens up. Teachers begin to innovate in learning and teaching and the whole environment can change,” he said. Anderson believes every subject – from geography, English, maths and science – can benefit from more creativity, particularly because they encourage students to “become problem solvers” rather than thinking in formulaic, passive ways. Anderson also said that, sadly, “there is a silo approach when it comes to creativity and the arts in our schools, with teachers often thinking creativity is strictly the domain of drama or the arts”. “But we know that creativity and the arts feature across all curriculum documents,” he added. “The problem is a disconnect between policymaking and practice.” Solving the big problems of tomorrow – such as climate change – was another reason Anderson provided for embedding creativity and the arts across all learning. He also spoke about the service jobs of the future, the increasing influence of AI and how we are doing our children a “disservice” if we continue to teach in ways rooted in the industrial age. Anderson’s final point was that creativity is something everyone has, and that for too long it has been characterised as something visionary and rare. He argued that while everyone possesses creativity, it might manifest in different ways and in different degrees. He also urged more teachers to think about how creativity can be regularly included in lesson planning across all learning areas – something the CREATE Centre plans to assist institutions with. ■ Wesley Enoch launches the new CREATE Centre. Picture: Supplied.