buying and merch Portfolio- ALLSAINTS DOCUMENT TO UPLOAD | страница 14

14 BUYING AND MERCHANDISING 15 BUYING AND MERCHANDISING ALLSAINTS STUDIOS Allsaints create beautiful and creatively unique online ad campaigns through the use of their own ‘Allsaints Studios’. There are two parts to ‘Allsaints Studios’ and these are music and film. The music side showcases off the wall artists and links you to their music. The film side is used to showcase the brand’s collections through documentaries. The films display the actual influences of the collections; this is an important aspect of Allsaints as it differs them to other high end high street brands. The films create concepts to the ranges and gives the consumer the evolving journey of the products. These are just a selection of the ad campaigns that the researcher feels reflects on the brand and their values. Figure 15 The biker portraits series is about emphasizing the real lives of real people who represent the brand through their independent spirit and attitude. Allsaints took their iconic biker jacket as their starting point in their journey of exploring creative communities internationally. The third chapter ‘Def in Venice’ is shot at Venice Beach in California and includes ten individuals from the area. The film explores the lives of the new generations of musicians, actors, models, artists, skates and surfers; who express the brand spirit of freedom and individuality in unexpected and inspiring ways (ALLSAINTS, n.d). Figure 13 Figure 14 The concept of ‘It’s Up To You’ is about using the brand, and expressing yourself with it. The video features young Americans from the streets of Bowery, Noho and Brooklyn, with New York Fashion Week as the initial backdrop. The girls and boys, so empowered and unified by their own identity and creativity expressed themselves by choosing and wearing the Allsaints Spring Summer 16 collection. The video creates young and free vibes and is a genuinely beautiful and different ad campaign; cast, shot and edited in seven days (ALLSAINTS, 2016). Figure 16 Figure 17 Figure 18 Figure 19 Figure 20 Figure 21