Population (in millions) 1950–1991 of Russian SFSR in USSR, 1991 – 1 January 2010 of Russian Federation.
the country, while a new generation of talented writers joined together in different organizations with the aim of creating a new and distinctive working-class culture appropriate for the new state, the Soviet Union.
Throughout the 1920s writers enjoyed broad tolerance. In the 1930s censorship over literature was tightened in line with Joseph Stalin's policy of socialist realism. After his death the restrictions on literature were eased, and by the 1970s and 1980s, writers were increasingly ignoring the official guidelines. The leading authors of the Soviet era included Yevgeny Zamiatin, Isaac Babel, Vladimir Mayakovsky, Ilf and Petrov, Yury Olesha, Mikhail Bulgakov, Boris Pasternak, Mikhail Sholokhov, Aleksandr Solzhenitsyn, Yevgeny Yevtushenko, and Andrey Voznesensky.
Cinema, animation and media
While in the industrialized nations of the West, motion pictures had first been accepted as a form of cheap recreation and leisure for the working class, Russian filmmaking came to prominence following the 1917 revolution when it explored editing as the primary mode of cinematic expression. Russian and later Soviet cinema was a hotbed of invention in the period immediately following the 1917, resulting in world-renowned films such as Battleship Potemkin. Soviet-era filmmakers, most notably Sergei Eisenstein and Andrei Tarkovsky, would become some of the world's most
innovative and influential directors.
Eisenstein was a student of filmmaker and theorist Lev Kuleshov, who developed the groundbreaking Soviet montage theory of film editing at the world's first film school, the All-Union Institute of Cinematography. Dziga Vertov, whose kino-glaz (“film-eye”) theory—that the camera, like the human eye, is best used to explore real life—had a huge impact on the development of documentary film making and cinema realism. In 1932, Stalin made socialist realism the state policy; this somewhat limited creativity, however many Soviet films in this style were artistically successful, like Chapaev, The Cranes Are Flying, and Ballad of a Soldier.
1960s and 1970s saw a greater variety of artistic styles in the Soviet cinema. Eldar Ryazanov's and Leonid Gaidai's comedies of that time were immensely