moments in Russian history.
The Peredvizhniki (wanderers) group of artists broke with Russian Academy and initiated a school of art liberated from Academic restrictions. Leading realists include Ivan Shishkin, Arkhip Kuindzhi, Ivan Kramskoi, Vasily Polenov, Isaac Levitan, Vasily Surikov, Viktor Vasnetsov, and Ilya Repin.
By the turn of the 20th century and on, many Russian artists developed their own vividly unique styles, neither realist nor avante-garde. These include Boris Kustodiev, Kuzma Petrov-Vodkin, Mikhail Vrubel and Nicholas Roerich.
The Russian avant-garde is an umbrella term used to define the large, influential wave of modernist art that flourished in Russia from approximately 1890 to 1930. The term covers many separate, but inextricably related, art movements that occurred at the time; namely
neo-primitivism, suprematism, constructivism, rayonism, and futurism. Notable artists from this era include El Lissitzky, Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin, Alexander Rodchenko, and Marc Chagall. The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the revolutionary ideas of the avant-garde clashed with the newly emerged conservative direction of socialist realism.
In the Soviet era many artists combined innovation with socialist realism including Ernst Neizvestny, Ilya Kabakov, Mikhail Shemyakin, Erik Bulatov, and Vera Mukhina. They employed techniques as varied as primitivism, hyperrealism, grotesque, and abstraction. Soviet artists produced works that were furiously patriotic and anti-fascist in the 1940s. After the Great Patriotic War Soviet sculptors made multiple monuments to the war dead, marked by a great restrained solemnity.
In the 20th century many Russian artists made their careers in Western Europe, forced to emigrate by the Revolution. Kandinsky, Chagall, Gabo and others spread their work, ideas, and the impact of Russian art globally.
Classical music and ballet
Music in 19th century Russia was defined by the tension between classical composer Mikhail Glinka along with his followers, who embraced Russian national identity and added religious and folk elements to their compositions, and the
Russian Knights and Swifts military aerobatic teams in a rhombus formation