Madonna
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personal, such as in "Promise to Try", which references Madonna's lingering pain at the loss of her mother. Madonna's lyrics often suggest an identification with the gay community. Fouz believes that when Madonna sings "Come on girls, do you believe in love?" in "Express Yourself", she is addressing both the gay audience and the heterosexual female. Even in the Erotica era, with its often adult-oriented lyrics, the songs appear free-flowing and gullible ("So won't you go down, where it's warm inside" — "Where Life Begins" from Erotica). Madonna's songwriting ability has been criticized, with Rolling Stone's Maria Raha calling her lyrics "flighty and not sophisticated. Madonna can only bring a trunk full of trite lyrics on the long standing tradition of pop music, love; when she wasn't singing about love, she was singing about partying and dancing." Her lyrics
were considered banal, and her songwriting capability was largely ignored by critics until the release of Ray of Light and Music. According to Jarman-Ivens, lyrics such as "You're frozen, when your heart's not open" ("Frozen", 1998) and "I can't remember, when I was young, I can't express if it was wrong" ("Paradise (Not for Me)", 2000) reflected an artistic palette, "encompassing diverse musical, textual and visual styles in its lyrics." On her 1983 debut album, Madonna's vocal abilities and personal artistry were not fully formed. Her vocal style and lyrics was similar to other pop stars of that period like Paula Abdul, Debbie Gibson and Taylor Dayne. The songs on Madonna reveal several key trends that have continued to define her success, including a strong dance-based idiom, catchy hooks, highly polished arrangements and Madonna's own vocal style. In songs such as "Lucky Star" and "Borderline", Madonna introduced a style of upbeat dance music that would prove particularly appealing to gay audiences. The bright, girlish vocal timbre of the early years became passé in Madonna's later works, the change being deliberate, since Madonna was constantly reminded of how the critics had once labelled her as "Minnie Mouse on helium", because of her early voice. Her second album, Like a Virgin (1984), foreshadowed several trends in Madonna's later works. It contained references to classical works (pizzicato synthesizer line that opens "Angel"); potential negative reaction from social groups ("Dress You Up" was blacklisted by the Parents Music Resource Center); and retro styles ("Shoo-Bee-Doo", Madonna's homage to