Brielle Magazine April 2016 | Page 6

A s I was describing Brielle Magazine, recently to a friend it, I was asked, “So how does Brielle Magazine differ from other men’s magazine?” This got me thinking about the deficiency of minority women in men’s magazine. The conventional wisdom has always been that beauty is defined by the European standards and so portrayal of minority women has not been commercially viable. Therefore many publishers have been reluctant to publish men’s magazines in this area. Thus, the burden and potential reward of publishing a men’s magazine portraying the exotic beauty of minority women has fallen on a few determined individuals who dip heavily into their own personal resources to represent and magnify these women to the attention of a slightly broader audience. This is a hard facade that Brielle Magazine seeks to challenge. Every tiny aspect of the designs that goes into this magazine represents a decision we debated, sweated over and second-guessed until we ran out of time and had to send it off to the editorial designer. But what you see here is not a new formula. It’s a beginning. Our aim is to make everything sharper, clearer, more alive and dynamic — while not altering the foundation of the magazine. Brielle Magazine is all about content and context—how our ideas and images are presented in relation to one another and within a larger point of view. Our magazine is about trust and partnership: We strive always to keep you engaged; you, the readers, are free to engage with us and encourage you to indulge. “SO HOW DOES BRIELLE MAGAZINE DIFFER FROM OTHER MEN’S MAGAZINE?” THIS GOT ME THINKING ABOUT THE DEFICIENCY OF MINORITY WOMEN IN MEN’S MAGAZINE. Consequently our first issue which surrounds the theme “Secret Garden - The Voyeuristic Landscape” is passively sexy where glamour meets an unconventional freakish charm, which brings a bolt of new energy to the magazine’s pages—the perfect cocktail to kick off our new issue. Stay with us—and expect more.• 6 BRIELLE-MAGAZINE.COM LETTER FROM THE EDITOR