Bridge For Design Summer 2014 Bridge For Design Summer 2014 Issue | Page 189

Paulo Moschino

Lisa: How can it be that a house in New Jersey looks so
rooted, so lived in and, frankly, so gloriously Italian?
Paulo:
doors were always open. I was used to beautiful light and doors that
open out into a garden. That’s what I take away most from Italy – a
sense of light. I don’t like making dark rooms. And I suppose, being
Italian, I have a strong sense of family. I tried to make this house feel
like one big comfortable room.

LEFT:
Dawn Reader. Neoclassical obelisks and urns on the mantel mix with English
antiques. Club chairs upholstered in linen and velvet and a copious olive beige
sofa. All fabrics and furniture are from Nicholas Haslam
a 1950’s Adam-style stone bust

Bridge for Design Summer 2014

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