Bridge For Design Summer 2014 Bridge For Design Summer 2014 Issue | Page 159

T o enter this imposing house, in a west London square, is to become drawn into an ongoing story about the history of furniture design: of how the style of one removed in time, can be used together. Designer Jonathan Reed – he of the subtle, textural interiors that work on every level – has created a sophisticated, often witty, and always comfortable house in which of ways. The owners of the house previously lived in New York, where they had been enthusiastic and knowledgeable collectors of eighteenth and early nineteenth-century furniture. But when they moved to London, they decided it was time for a new collecting interest – twentieth- loved such designs, they knew that it would not be easy to combine the eighteenth century with the twentieth, so they asked Jonathan to linking the two styles with his own designs. LEFT: The screen hanging above the billiards table in the family room is by Sol LeWitt. The curtains are ‘Willow’, a linen designed by Albert Hadley in 1960 Bridge for Design Summer 2014 159