BRASH Magazine Fall 19 Issue | Page 17

B! 17 B E T T Y BRASH! How old were you when you discovered your voice and love for music? BM: I grew up in a household immersed in music and actually had a small but well-known studio on our property. Whether I liked it or not, from an age I can’t remember I was living a life of music and was raised around a lot of talent. Thankfully, it became a part of my blood and music has been one of the most important elements of life before I was even school-aged. I would say music became a “professional” goal when I hit my teen years. I knew it was what I wanted to do with my life, and did everything possible to plant those seeds of success. Thankfully, it worked in my favor due to the hard work and being at the right place at the right time. BRASH! Tell us about the music scene in Toronto, Canada. BM: There was a pretty epic music scene in Toronto growing up, especially as a teenager with plenty of concert venues and other artists helping nurture the community. Since Toronto is a large city, you’ll find there are usually great record stores, venues, radio stations and TV networks to tap into when you gain momentum. I saw what other artists were doing at a young age, and wanted to tap into that. Some of the best artists around the world came through Toronto on tour, and I wanted to create a local scene of underground goth/synth/pop that was lacking at the time. There was already plenty of new wave, rock and pop locally, but not much like what my old group Bambi was putting out. M O O N BRASH! How did you link up with A&M Records to release your major label debut? BM: I dedicated my life to music before most of my peers even started high school, and worked my butt off by playing as many shows as possible, networking like a crazy person and ultimately selling 10,000 independent records. That caught the attention of A&M and great management, which led to the best possible scenario an artist my age could have been in. The relationship was great and I ended up releasing multiple major label albums before starting my own company. BRASH! What is your creative process for developing music as a song-writer and producer? BM: I write a song per day, and have been doing so for years. It’s a pretty basic process and not every song is obviously fully produced in the studio. It can be on guitar, piano or writing lyrics with a simple melody. It’s really about continuity and getting as many ideas to paper as possible. If anything it’s keeping all the ideas organized, working with other great musicians and curating the best of the best for the albums, EPs and singles I end up putting out. BRASH! How does your music style defy the usual music industry trends? BM: It seems many artists closely follow industry trends and copy what is popular with each genre of music. While sometimes it’s wise to do so to keep up with what listeners want, I tend to stick with what I feel like writing and have been known for over two decades. I think the secret is ignoring  Photo Credit: Evolver Music, Inc.