BrandKnew September 2013 Feb 2014 | Page 10

Brand identity can be expressed often more powerfully in images and in music more powerfully than it could ever be in words. Walter Pater once wrote that All Art aspires to the condition of music, meaning that art exists to express ideas that can’t be well expressed any other way. Someone once asked T.S. Eliot, what did you mean when you wrote the line, Lady, three white leopards sat under a juniper tree? and he replied, ‘I think I meant something rather like – ‘Lady, three white leopards sat under a juniper tree’. If it could have been said better in other words, he would have said it. Here are two more campaigns that had a profound effect on the way brands were seen, externally and, I believe, internally, which resist paraphrasing in any other way. Guinness ‘Life on Mars’ Volkswagen ‘Casino’, ‘Changes’ The overused word ‘surreal’ doesn’t begin to do justice to all the strands of meaning in the Rutger Hauer campaign. And I’ve spent many hours trying put into words what ‘Casino’ and ‘Changes’ say about Volkswagen: it’s certainly a great deal more than ‘reliability’, which was the starting point for the campaign. There are many ways of explaining it, many of them equally correct and all of them, ultimately, inadequate. Because it can express things that can’t be said in other ways, advertising can often achieve things that at first glance appear impossible. Consider the following three briefs: Make an anonymous brand of lager with a German name and advertising like this something lads want to be seen with in the pub Make a car that’s known for safety look exciting – but without compromising the reputation for safety! Make a supermarket chain that’s seen as a poor me–three to Sainsbury and Tesco seem more warm and friendly than the other two. If you can imagine these briefs without having any notion of the advertising solutions, they sound like impossible dreams. Hofmeister ‘Forest’ Volvo ‘Control Freak’ Safeway ‘ Harry’ CONCLUSIONS It’s not my object to criticise the concept of ‘integrated marketing’, nor the usefulness of any of the other marketing tools that exist. On the contrary: both I, and the agency I work for, believe that ‘integration’ is essential to effective brand identity building. But when we talk of integration, let us not forget the unique role that traditional media advertising – especially in audio– visual media – has to play in the overall mix. Adverti 6