BOOM Edition 3 Jul 2016 Issue | Page 15

are too few and far between. I tell her that another possible reason for decline could be the TV industry jumping on the bandwagon of films. It seems that I touched a nerve, as she asserts: “Drama is being wrecked at the cost of films. Films here cannot have the longevity like in India. Films are a momentary diversion and ultimately the TV fraternity will have to return to TV. It will always be around. You cannot wish it away. At 8pm people will tune in no matter what.” The discussion veered towards the current crop of films mostly made by TV industry folks with only one film Jawani Phir Naheen Aani living up to her expectations. For Ashraf, who clearly indicated that she is not anti-cinema, at the end of the day whatever the medium is, ultimately, it is the storyline that will pull her or the viewers towards the screen, small or big. TV criticism has disappeared Ashraf also singled out journalists for failing to seriously critique TV dramas; as a result channels churn out whatever content they like. “Journalists have stopped playing their role. Back in the days of PTV we would be petrified of critics and their reviews. There would be critical analysis of content and performances. Merely writing about the storyline and cast of the play does not constitute TV criticism, as is now the trend. Journalists have to point out if we are doing terrible work.” Having scripted memorable plays and dramas such as Khaleej, Dastak, Bisaat and Rozi broadcasted on PTV, Imran Aslam of Geo TV compares past and current viewing habits along with endorsing Ashraf’s views on lack of serious drama appraisal. “There was only one TV channel back then which everyone would watch and everyone is nostalgic about. But the truth of the matter is that there are a number of dramas and plays that one remembers from those times and these can be counted on one’s fingertips. “The other thing that has disappeared is proper criticism. Nobody is sitting around meticulously looking at the dramas. We were scared of critics like Maxim and Zeno. Newspapers have stopped reviewing plays.” I do not completely agree with Ashraf and Aslam because as a TV re