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Nottingham connected Community 21 COUNTERING XENOPHOBIA THROUGH STORY-TELLING By Cameron Thibos and Vanessa Kisuule Cameron Thibos is the managing editor of  Beyond Trafficking and Slavery  and  Mediterranean Journeys in Hope. He holds a D.Phil. from the  Department of International Development at the University of Oxford. Vanessa Kisuule, a Bristol-based word artist, was invited to speak at the Global Forum for Migration and Development in Dhaka, about the power of art to combat rising anti-migrant sentiment. Read her thoughts and hear her poems below. Cameron Thibos (oD): You’ve given me the basic sketch that you are British-born and Ugandan by descent. But what brought you into this whole field of spoken word art and to talk about things like migration, integration, and identity issues? Cameron: Where do you see potential for migrants to gain a platform to counter this xenophobia? How do you see the arts, migration, and integration meshing together? Vanessa: That’s a good question. In schools at the moment, there’s this programme that contains things like retaining our heritage, maintaining tolerance as well as integrate patriotism and nationalism. I am hoping that we really do find space to let people tell their stories in their own way so as to not project our own ideas and presumptions. We need to find a way to facilitate people who want to speak or who feel able to speak. But, the difficulty with that is that people in the position of being an asylum seeker or a refugee are in danger of being exposed or deported. Vanessa Kisuule:  I was in Uganda just before I went to university. I stayed with my family, and one of my cousins who lives out in Canada and we were bonding over the fact that we were second generation kids, raised in western countries and that we were going back to this country of ‘origin’ or ‘roots’ and not quite feeling this sense of being at home that you are supposed to feel.. At first I thought it was pretentious but later on he showed me some clips on YouTube which I binged watched. I never thought this would be my career path. I had written a little poem so I went to an open mic in London to explore my options. I mostly wrote short stories so the concept of going up and reading a poem about me, or my life, or my opinion was kind of revelatory. Cameron: You’re much more clued into the Bristol arts scene than I am, but from the posters on the wall there seem to be a lot of art projects going on to try to increase empathy for new arrivals. In other words, how much do you think this is already happening? Cameron: Some of your work speaks to the themes of the Global Forum for Migration and Development. Are these simply some of the themes in your work, or are they a particular focus for you? Vanessa: Absolutely. And that to me is something that can and should be funded. We probably need that boost now more than ever. We need the colour, we need the light relief, and we need the expression. Vanessa: This is the great thing about what we could very tentatively call graffiti “street art”. Graffiti seeps into your subconscious whether you realise it or not. That creates this background sentiment, where the city has this sentiment that we are wearing quite literally on our walls. I feel like graffiti is a very powerful example of how communal art, or street art works. Cameron: We need more truly public art. Vanessa: I try to avoid being didactic as well as sitting down Cameron: What was the focus of the poems you presented and thinking, “Ok, in this poem, I am going to write about at the Global Forum for Migration and Development? this issue”. When this happens, it can make you drown out Vanessa: The poems that I performed at the Global Forum the nuance of the story and the nuance of the situation, for Migration and Development were just stories told with particularly if you are passionate about something. I know as much honesty and fallibility as I could give them. I think that my opinion and my lens is always going to be there, that’s a really powerful thing, vulnerability and fallibility. but the issues that I address are never more important than Read full interview at: https://goo.gl/FtAEZg the stories or the people in my poems. Watch videos: https://youtu.be/Pne_gfXzrJI - https://youtu.be/hIJ79omKfhc