BNG MAG® September/October 2015 (Vol.2/issue - 2) | Page 24

How was it growing up in Atlanta during the golden era? Growing up in Atlanta in the 90’s was an amazing experience. Black culture in Atlanta was and still is so diverse and inspiring. We set so many rap music trends. We invented swag. Kilo Ali, an old-school Atlanta artist that was the first person I heard with the “rap singer” style, currently used to by artists like Future and Rich Homie Quan. I’ve experienced the very last Freaknik (black college spring break in ATL), in 1995. Dungeon Family was the biggest thing happening when I really got into rap and they made some of the most soulful southern music ever. The Crunk era of late 90’s/Early 2000’s had a major influence on my style. I’m more into high energy, hard hitting music, and Crunk music had the biggest and fastest beats. It wasn’t the most lyrical music, but it showed me that not many rappers were applying quality lyricism aka “bars” to Crunk beat. To me, there isn’t anything more hard hitting than a mixture of up tempo 808 driven beats with clever bars. Thus, my name, Phresh Ali, which represents street and consciousness. Atlanta doesn’t have the same conscious music that Dungeon Family and a few other artists gave us, but it’s still a scene that pushes the culture forward and has a great influence on the rest of the country, and beyond. The game has changed more than the actual music. There no such thing as “getting discovered” anymore. Labels only want developed artists with pre-existing fanbases. The Master P “CD’s out the trunk” days are over. I blame the Internet. It’s a very useful promotional tool, but I feel like it gave TOO many not-so talented people a platform. The race for a record deal became overly crowded. True talent gets overlooked. People began to be turned off by being sent links and being pressured to buy to many indie mixtapes. It’s not a special as it once was. Favorite performance venue and why? 467 edgewood Ave. Erosol aka Dept. Store. Department Store is the livest spots on one of the livest strips. It’s the central location of a new Atlanta Renaissance made up of creative forward-thinking individuals and crews and lovers of the arts. Dept. Store holds an open mic night called #LevelUpAtl, which I went to for the first time in August of 2014. When I saw how receptive and interested in new music the crowd was, I performed there consistently for 8 months. 3-4 months in, I was being booked 2-3 times weekly all around the city from people seeing my set there. Edgewood Ave. shows the most love to artists, so I like to go where the love is. You never know who you’ll meet at Dept. Store. I’ve met Missy Elliot, T.I., Young Dro, 2 chainz, and so many other major musicians there. I have a feeling it’s gonna be the place that keeps me relevant in Atlanta. Who have you met that left a lasting impression on you? I met T.I. twice. The first time was around 2003-4, at Club Atrium on the Eastside of Atlanta. This was when he was promoting his Urban Legend album. I didn’t even really get to speak to him but I watched as he walked in, make a hand motion in the air, and literally eve