BNG MAG® July 2015 (Vol.-2/Iss.-1) | Page 14

Between TFN (Thanks for nothing) & WTMH (What tomorrow may hold), which project is your favorite? if that makes sense, and he supports the music alot. Like he makes sure that I know he wants to help push the sound forward. THE DAY I MET I know this sounds weird, but I had a mental debate about these two projects. On WTMH, I let out alot of things, which was hard to do ‘cause I know alot of people that were important to me would hear it and maybe they would hear stuff that happened or any anger I felt that I never told them about at all. Me & Wili worked so hard on that project day & night while dealing with our actual jobs. Making this project was a life experience for us, but even though it was great lyrics wise and the beats were like experiments, I know I could’ve done more. Making TFN was much more fun for me, cause we invited alot of new people (artists & producers and just good people) in the creative process and we would drink and laugh and just get all the inspiration in the world. We were just at a better place I think. So it’s alot of reasons why I think both projects are better than each other, but right now I have to side with “Thanks For Nothing”. It shows the moments I’m going through way better than I have before, and the production is more elevated now. What’s your favorite song that you’ve done so far and what’s the story behind it? “That day I met Childish Gambino”. It was so real. Childish Gambino is my favorite rapper and at the time I went to “SXSW” for the first time last year with little money, and stayed with a fan of my music that stayed in Austin (which ended up being a great friend), and I went out there with hard copies of “WTMH” just trying to spread the word. I had a fake ID and got into all the SXSW parties, one of them happened to be the complex backyard party. Childish Gambino was on the front cover for that month’s issue, and they said he was performing