Big Bend Texas Galleries & Artists 2012 | Page 10

The Lost Colony: 1921-1950 Texas Regionalist Paintings By Mary Bones Curator & Collection Manager, Museum of the Big Bend Kokernot Lodge, Oil, ca. 1930s, 36 X 48, Julius Woeltz, Museum of the Big Bend When Sul Ross Normal College opened its doors in the summer of 1920, its primary goal was to prepare prospective teachers to earn their Texas teaching certificates. By the summer of 1921, the Department of Drawing was formed and headed by Mrs. Nellie Clements. For the next 12 years other instructors held this position including Beatrice Matthaei, 1921-1922, Mabel Vandiver, 1922-1925, Anna E. Kenner, 1925-1926, and Elizabeth Keefer, 1926-1932. During this period, the Department of Drawing became a full fledged Art Department, where students could earn a degree in art. Importantly, instructors included in their coursework, en plein air or outdoor painting, using the Big Bend country as their classroom. All of these women after leaving Sul Ross continued in their artistic pursuits and have since been recognized for their contributions to the regional art movement. By the summer of 1932, Julius Woeltz was hired to teach the regular Drawing Art classes. He contacted Ms. Aline Rather to help him and Xavier Gonzalez to conduct and Art Colony during the first six weeks of the summer session. Woeltz, Gonzalez and Rather had known each other for many years prior in San Antonio. Gonzalez was the nephew of the renowned early Texas artist, Jose Arpa of San Antonio and he was an assistant at Arpa’s art school. While Gonzalez was in San Antonio he wasinvolved with a teaching project at the Witte Memorial Museum. This project entailed working with students from the San Antonio public schools who showed exceptional artistic skills. Aline Rather, who was the supervisor of Art for the San Antonio Public Schools, selected the students and one of the students that Gonzalez worked with was Julius Woeltz. During the first summer session, Gonzalez divided his time between public school drawing and private instruction of artists and teachers who enrolled in the Art Colony. Gonzalez would emphasize landscape, still-life and portrait in both. The $25 fee for Art Colony participants included trips into the Davis Mountains, the “Education Tour to Chihuahua City” in June and the student could take addi- 10 • www.GalleriesArtists.com